The Crossroads of Crime Writing
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This volume argues that we must examine the boundaries in fiction and non-fiction crime writing with an awareness of and turn toward the unseen structures and spatial uncertainties that so often lead to and reflect collective fears and anxieties. The chapters within utilize theories of cultural memory and/or deep mapping to facilitate this process.

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Produktbeschreibung
This volume argues that we must examine the boundaries in fiction and non-fiction crime writing with an awareness of and turn toward the unseen structures and spatial uncertainties that so often lead to and reflect collective fears and anxieties. The chapters within utilize theories of cultural memory and/or deep mapping to facilitate this process.
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Autorenporträt
Meghan P. Nolan, MFA, MA, PhD, is an Associate Professor of English and Chair of the Honors program at SUNY Rockland Community College. She is a multigenre writer, who focuses on (Neo-)Victorian and Modern literature/crime writing and fragmented perceptions of self-hood through many published academic works, fiction, non-fiction, and poetry. Rebecca Martin, PhD, is Professor Emerita of English at Pace University in New York. In addition to her PhD, which focused on the eighteenth-century Gothic novel in England, she holds a graduate certificate in film studies from CUNY Graduate Center, and her interest in crime writing focuses on the hardboiled tradition.