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When a group of New England women move to the western frontier, they encounter a new set of problems testing their love, friendship and spirits. In The Crux, Gilman highlights women's need for economic independence and sexual autonomy. The strain of New England life pushes a group of progressive women to move to Colorado. Together, they open a boarding house and create a bustling business that supports both men and women. When one of the ladies fall in love with a male resident, it dramatically changes the group's dynamic. His poor health and questionable standing make their relationship a…mehr

Produktbeschreibung
When a group of New England women move to the western frontier, they encounter a new set of problems testing their love, friendship and spirits. In The Crux, Gilman highlights women's need for economic independence and sexual autonomy. The strain of New England life pushes a group of progressive women to move to Colorado. Together, they open a boarding house and create a bustling business that supports both men and women. When one of the ladies fall in love with a male resident, it dramatically changes the group's dynamic. His poor health and questionable standing make their relationship a point of contention. The author uses their scenario to examine self-determination theory, and its connection to other ideologies that may influence a woman's choice. The Crux is a powerful exploration of contemporary feminist ideals. It focuses on the many disparities between genders both personally and professionally. This is an intriguing look at the long-term effects of different social conventions.
Autorenporträt
Charlotte Perkins Gilman (1860-1935), also known as Charlotte Perkins Stetson, her first married name, was a prominent American humanist, novelist, writer of short stories, poetry and nonfiction, and a lecturer for social reform. She was a utopian feminist and served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. She has been inducted into the National Women's Hall of Fame. Her best remembered works today are her semi-autobiographical short story The Yellow Wallpaper, which she wrote after a severe bout of postpartum psychosis; and Herland, the rediscovered feminist classic about a civilisation without men.