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Poetry. Essays. In THE CRY AT ZERO, Andrew Joron ranges through literature, science, and philosophy as he maps a poetics, and gripping poetic ontology, that responds to the disturbing politics of our time. Confronting postmodern skepticism, Joron begins from the premise that poets are "chained to the impossible," and that the poetic "cry" exceeds specific social crises. Joron teaches us that more than ever before there us a distinct and obvious place for the unsayable, the abysmal, in our poetic practice. Joron's prose works, interwoven here with a series of soaringly lyrical prose poems, are…mehr

Produktbeschreibung
Poetry. Essays. In THE CRY AT ZERO, Andrew Joron ranges through literature, science, and philosophy as he maps a poetics, and gripping poetic ontology, that responds to the disturbing politics of our time. Confronting postmodern skepticism, Joron begins from the premise that poets are "chained to the impossible," and that the poetic "cry" exceeds specific social crises. Joron teaches us that more than ever before there us a distinct and obvious place for the unsayable, the abysmal, in our poetic practice. Joron's prose works, interwoven here with a series of soaringly lyrical prose poems, are indispensable in our attempts to embrace a creative space that encompasses human experience.
Autorenporträt
A graduate of UC Berkeley, where he majored in Philosophy of Science, Andrew Joron is the author of five previous collections of poetry--Force Fields (1987), SCIENCE FICTION (1992), The Removes (1999), FATHOM (2003), and THE SOUND MIRROR (2008)--and THE CRY AT ZERO: Selected Prose (2007). His translations from the German include Literary Essays of Ernst Bloch (1998) and Richard Anders's The Footsteps of One Who Has Not Stepped Forth (1999). In 2004 he published NEO-SURREALISM: OR, THE SUN AT NIGHT: TRANSFORMATIONS OF SURREALISM IN AMERICAN POETRY 1966-1999. He plays Theramin in the improvisational trio Free Rein.