With subjects ranging from prehistoric artworks to excavation drawings, scientific illustrations, artists impressions of ancient sites and contemporary landscapes, this study explores how pictures and representations of the past shape our perceptions and our expectations of the past.
With subjects ranging from prehistoric artworks to excavation drawings, scientific illustrations, artists impressions of ancient sites and contemporary landscapes, this study explores how pictures and representations of the past shape our perceptions and our expectations of the past.
Brian Leigh Molyneaux is Assistant Professor of Archaeology at the University of South Dakota.
Inhaltsangabe
Introduction 1: Art, Landscape, And The Past 2: Drawing Inferences 3: Things, and Things Like Them 4: ' To See is to Have Seen ' 5: Photography and Archaeology 6: Representation and Reality in Private Tombs of the Late Eighteenth Dynasty, Egypt 7: Some Greek Images Of Others 8: The Art and Archaeology of Custer's Last Battle 9: Revolutionary Images 10: The Power Of The Picture 11: Focusing on the Past 12: The Painter and Prehistoric People
Introduction 1: Art, Landscape, And The Past 2: Drawing Inferences 3: Things, and Things Like Them 4: ' To See is to Have Seen ' 5: Photography and Archaeology 6: Representation and Reality in Private Tombs of the Late Eighteenth Dynasty, Egypt 7: Some Greek Images Of Others 8: The Art and Archaeology of Custer's Last Battle 9: Revolutionary Images 10: The Power Of The Picture 11: Focusing on the Past 12: The Painter and Prehistoric People
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