Kirkman sheds new light on the polyphonic Mass, exploring the hidden meanings within its music and its legacy today.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Andrew Kirkman is Associate Professor of Music at Mason Gross School of the Arts, Rutgers University, New Jersey.
Inhaltsangabe
Preface Part I. The Status of the Early Polyphonic Mass: 1. Enlightenment and beyond 2. Contemporary witnesses Part II. The Ritual World of the Early Polyphonic Mass: 3. 'Faisant regretz pour ma dolente vie': piety, polyphony and musical borrowing 4. 'Head of the Church that is His Body': Christological imagery and the Caput Masses 5. Sounding armour: the sacred meaning of L'homme armé 6. The profane made sacred: outside texts and music in the Mass Part III. The Cradle of the Early Polyphonic Mass: 7. The shape of the Mass 8. Counterpoint of images, counterpoint of sounds Last things Appendices: Appendix 5 Appendix 6.1 Appendix 6.2 Bibliography.
Preface Part I. The Status of the Early Polyphonic Mass: 1. Enlightenment and beyond 2. Contemporary witnesses Part II. The Ritual World of the Early Polyphonic Mass: 3. 'Faisant regretz pour ma dolente vie': piety, polyphony and musical borrowing 4. 'Head of the Church that is His Body': Christological imagery and the Caput Masses 5. Sounding armour: the sacred meaning of L'homme armé 6. The profane made sacred: outside texts and music in the Mass Part III. The Cradle of the Early Polyphonic Mass: 7. The shape of the Mass 8. Counterpoint of images, counterpoint of sounds Last things Appendices: Appendix 5 Appendix 6.1 Appendix 6.2 Bibliography.
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