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Explores the intersection of the world of opera, literature, and partisan politics to show how Italian opera was put to use in the 'culture wars' of the day.

Produktbeschreibung
Explores the intersection of the world of opera, literature, and partisan politics to show how Italian opera was put to use in the 'culture wars' of the day.
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Autorenporträt
THOMAS MCGEARY holds a PhD in musicology from the University of Illinois. He is the author of The Politics of Opera in Handel's Britain, 1720-1742 (CUP, 2013) and Opera and Politics in Queen Anne's Britain, 1705-1714 (Boydell, 2022). He has published widely in art history, literature, and music history journals, including Burlington Magazine, British Art Journal, Philological Quarterly, Review of English Studies, British Journal for Eighteenth-Century Studies, Early Music, Journal of the Royal Musical Association, and Musical Quarterly.