Often overlooked in the history of broadcast television, The CW became a top-rated cable network in primetime during the mid-2000s, at a moment when many critics predicted the death of the medium. Launched as a joint venture and successor to The WB and UPN, The CW focused programming on an 18 to 34-year-old, predominantly female audience and soon won over viewers with shows like Gossip Girl, Jane the Virgin and the DC Arrowverse franchise. Nimbly adapting to the streaming services era, the network has strengthened new series development and its innovative distribution system. This collection…mehr
Often overlooked in the history of broadcast television, The CW became a top-rated cable network in primetime during the mid-2000s, at a moment when many critics predicted the death of the medium. Launched as a joint venture and successor to The WB and UPN, The CW focused programming on an 18 to 34-year-old, predominantly female audience and soon won over viewers with shows like Gossip Girl, Jane the Virgin and the DC Arrowverse franchise. Nimbly adapting to the streaming services era, the network has strengthened new series development and its innovative distribution system. This collection of new essays examines The CW's business model, marketing strategies and most popular series.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ashley Lynn Carlson is a professor of English at the University of Montana Western in Dillon, Montana. She has published essays on a variety of topics ranging from nineteenth-century literature to contemporary popular culture. Lisa K. Perdigao is a professor of English at Florida Institute of Technology in Melbourne, Florida. Her publications are in the areas of contemporary fiction, television, film, and comics.
Inhaltsangabe
Table of Contents Introduction Ashley Lynn Carlson and Lisa K. Perdigao Part I. "TV to Talk About": Network Identity and The A "Bridge-to-Nowhere": Media Rights Capital and the Network's Decade-Long Hiatus from Sunday Night Programming Kimberly A. Owczarski Color by The CW: How Blackness Has Fared Phillip Lamarr Cunningham The Lowest Ratings on Prime Time: The CW's Business Model Caryn Murphy The Cultural Value of Jane the Virgin and Crazy Ex-Girlfriend Paola Brembilla Part II. "TV Now": The CW in the Post-Network and Post-Feminist From Late Childhood to Emerging Adulthood: Representations of Teenagers on The WB and The Ashley Lynn Carlson It's the Ladies' Choice: Female Agency on Supergirl, Jane the Virgin, Beauty & the Beast, and Reign Marian R. Hjelmgren "There's no place like home": Supernatural's Domestic Crisis Lisa K. Perdigao Dare to Define: The Arrowverse and the New Television Superhero Michael G. Robinson and Kenneth Wagner #Clexa and #Sanvers Fandom: Questions of Representation, Reception, and Fans' Reactions Mélanie Bourdaa Part III. "Dare to Defy": Adapting and Expanding The CW-Verse The Hybrid Identities of The Vampire Diaries Angela Tenga and Lisa K. Perdigao The Superhero Crossover Event: An Effective Staple of The CW's Programming James F. Iaccino Deconstructing The CW's Culture: iZombie and Serial Hybridization Charles Joseph How Do You Build a Problem Like Riverdale? Constructing the Imagined Community of the Archie Universe Brenna Clarke Gray and Peter Wilkins About the Contributors Index
Table of Contents Introduction Ashley Lynn Carlson and Lisa K. Perdigao Part I. "TV to Talk About": Network Identity and The A "Bridge-to-Nowhere": Media Rights Capital and the Network's Decade-Long Hiatus from Sunday Night Programming Kimberly A. Owczarski Color by The CW: How Blackness Has Fared Phillip Lamarr Cunningham The Lowest Ratings on Prime Time: The CW's Business Model Caryn Murphy The Cultural Value of Jane the Virgin and Crazy Ex-Girlfriend Paola Brembilla Part II. "TV Now": The CW in the Post-Network and Post-Feminist From Late Childhood to Emerging Adulthood: Representations of Teenagers on The WB and The Ashley Lynn Carlson It's the Ladies' Choice: Female Agency on Supergirl, Jane the Virgin, Beauty & the Beast, and Reign Marian R. Hjelmgren "There's no place like home": Supernatural's Domestic Crisis Lisa K. Perdigao Dare to Define: The Arrowverse and the New Television Superhero Michael G. Robinson and Kenneth Wagner #Clexa and #Sanvers Fandom: Questions of Representation, Reception, and Fans' Reactions Mélanie Bourdaa Part III. "Dare to Defy": Adapting and Expanding The CW-Verse The Hybrid Identities of The Vampire Diaries Angela Tenga and Lisa K. Perdigao The Superhero Crossover Event: An Effective Staple of The CW's Programming James F. Iaccino Deconstructing The CW's Culture: iZombie and Serial Hybridization Charles Joseph How Do You Build a Problem Like Riverdale? Constructing the Imagined Community of the Archie Universe Brenna Clarke Gray and Peter Wilkins About the Contributors Index
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