The Dance of Death - Strindberg, August
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"The question is to know whether as a result of living together, one person's evil thoughts manage to be perceived by the other person, even before they are fully formed, and whether the other person intuits them as already at the conscious phase, deliberately trying to be realized. There is nothing more hurtful than to see someone read into your very depths and only a married couple is capable of it. They do not manage to conceal what is murky in the depths of their soul and they easily foresee each one's intention towards the other, which makes the clear impression of spying on one another…mehr

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Produktbeschreibung
"The question is to know whether as a result of living together, one person's evil thoughts manage to be perceived by the other person, even before they are fully formed, and whether the other person intuits them as already at the conscious phase, deliberately trying to be realized. There is nothing more hurtful than to see someone read into your very depths and only a married couple is capable of it. They do not manage to conceal what is murky in the depths of their soul and they easily foresee each one's intention towards the other, which makes the clear impression of spying on one another which is what, in fact, they are doing. Fearing nothing so much as one's husband's or wife's watchfulness, they wind up disarmed in relation to one another. A judge is sitting beside them, who condemns in embryo every germinating evil desire, whereas, according to society's law, one cannot be held responsible for one's thoughts." Strindberg, The Quarantine Officer's Second Tale, 1902 "THE DANCE OF DEATH certainly exceeds the surface naturalism stressed by earlier critics. Being the fruit of Strindberg's harrowing personal suffering, the play expresses in many surrealistic ways the state of mind of persons engaged in elemental conflicts." Sister Corona Sharp "THE DANCE OF DEATH is a study of the horror of life's spiritual isolation-the loneliness that unhappy intimacy with another only accentuates." Charles Isherwood "In the case of Strindberg, the tragic strain does not exclude the comic, that the two in fact coalesce, become as it were one, in the manner of the modern as distinguished from the classical drama." Alrik Gustafson
Autorenporträt
Johan August Strindberg was a Swedish dramatist, writer, poet, essayist, and painter who lived from 22 January 1849 to 14 May 1912. The Red Room (1879), written by him, has usually been referred to be the first modern Swedish book. He is regarded as the "father" of contemporary Swedish writing. With its attempt to portray the unconscious processes by doing away with traditional theatrical time and space, Zola's A Dream Play (1902) had a key influence on both expressionism and surrealism. He assisted in running the Intimate Theatre, which produced his chamber pieces and was fashioned after Max Reinhardt's Kammerspielhaus (such as The Ghost Sonata). He interacted with a wide range of artists from Germany, Poland, and Scandinavia. He focused on Frida Uhl, who was just twenty-three years Strindberg's junior. They tied the knot in 1893. The couple split up less than a year after the birth of their daughter Kerstin, however their marriage was not legally dissolved until 1897. Shortly after one of Strindberg's plays had its American premiere, he passed away. The Father, a translation by Edith Gardener Shearn Oland and her husband Warner Oland, debuted on April 9, 1912, at the Berkeley Theatre in New York.