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The black-emerald water swirled and broke in many silver gleamings. From the misty center of the pool rose a vast but beautiful head. The long dripping hair was not hair, but had a rippling life of its own. The great lonely eyes and wide scarlet mouth were far more lovely than any human's. The gleaming green shoulders and shapely long arms ended in graceful webbed fingers. The red tipped breasts were proud, naked mounts where beauty lived forever. The pillaring waist-the strong-arched hips that did not divide into legs but into two great serpentine drivers-ended in the wide tail fins of a…mehr

Produktbeschreibung
The black-emerald water swirled and broke in many silver gleamings. From the misty center of the pool rose a vast but beautiful head. The long dripping hair was not hair, but had a rippling life of its own. The great lonely eyes and wide scarlet mouth were far more lovely than any human's. The gleaming green shoulders and shapely long arms ended in graceful webbed fingers. The red tipped breasts were proud, naked mounts where beauty lived forever. The pillaring waist-the strong-arched hips that did not divide into legs but into two great serpentine drivers-ended in the wide tail fins of a fish. The dark sea-scented lapping green water was circled by tiers of marble seats, where many human people sat, their eyes upon the throne-seat into which the tremendous female figure vaulted in one powerful thrust from the water, as a tall wave uncurls effortlessly upon a golden beach.
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Autorenporträt
Richard Sharpe Shaver (1907 - 1975) was an American writer and artist. He achieved notoriety in the years following World War II as the author of controversial stories that were printed in science fiction magazines (primarily Amazing Stories), in which he claimed that he had had personal experience of a sinister, ancient civilization that harbored fantastic technology in caverns under the earth. The controversy stemmed from the claim by Shaver and his editor and publisher Ray Palmer, that Shaver's writings, while presented in the guise of fiction, were fundamentally true. Shaver's stories were promoted by Ray Palmer as "The Shaver Mystery". During the last decades of his life, Shaver devoted himself to "rock books"-stones that he believed had been created by the advanced ancient races and embedded with legible pictures and texts. He produced paintings based on the rock images and photographed the rock books extensively, as well as writing about them. Posthumously, Shaver has gained a reputation as an artist and his paintings and photos have been exhibited in Los Angeles, New York and elsewhere.