The Dark Side of Creativity
Herausgeber: Cropley, David H; Cropley, Arthur J; Kaufman, James C
The Dark Side of Creativity
Herausgeber: Cropley, David H; Cropley, Arthur J; Kaufman, James C
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This book brings together essays by experts to illustrate the nature of negative creativity.
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This book brings together essays by experts to illustrate the nature of negative creativity.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 404
- Erscheinungstermin: 30. Juni 2010
- Englisch
- Abmessung: 236mm x 150mm x 25mm
- Gewicht: 635g
- ISBN-13: 9780521191715
- ISBN-10: 0521191718
- Artikelnr.: 30204774
- Verlag: Cambridge University Press
- Seitenzahl: 404
- Erscheinungstermin: 30. Juni 2010
- Englisch
- Abmessung: 236mm x 150mm x 25mm
- Gewicht: 635g
- ISBN-13: 9780521191715
- ISBN-10: 0521191718
- Artikelnr.: 30204774
1. The dark side of creativity: what is it? Arthur J. Cropley; 2.
Creativity has no dark side Mark A. Runco; 3. Positive creativity and
negative creativity (and unintended consequences) Keith James and Aisha
Taylor; 4. Subjugating the creative mind: the Soviet biological weapons
program and the role of the state Maria N. Zaitseva; 5. Imagining the bomb:
Robert Oppenheimer, nuclear weapons, and the assimilation of technological
innovation David Hecht; 6. The innovation dilemma: some risks of creativity
in strategic agency James M. Jasper; 7. Creativity as a constraint on
future achievement Jack A. Goncalo, Lynne C. Vincent and Pino G. Audia; 8.
Boundless creativity Kevin Hilton; 9. Reviewing the art of crime - what, if
anything, do criminals and artists/designers have in common? Lorraine
Gamman and Maziar Raein; 10. Creativity in confinement Jennie Kaufman
Singer; 11. Creativity and crime: how criminals use creativity to succeed
Russell Eisenman; 12. So you want to become a creative genius? You must be
crazy! Dean Keith Simonton; 13. Both sides of the coin?: personality,
deviance, and creative behavior Luis Daniel Gascón and James C. Kaufman;
14. Neurosis: the dark side of emotional creativity James R. Averill and
Elma P. Nunley; 15. Dangling from a tassel on the fabric of socially
constructed reality: reflections on the creative writing process Liane
Gabora and Nancy Holmes; 16. Creativity in the classroom: the dark side
Arthur J. Cropley; 17. The dark side of creativity and how to combat it
Robert J. Sternberg; 18. A systems engineering approach to counter
terrorism Amihud Hari; 19. Malevolent innovation: opposing the dark side of
creativity David H. Cropley; 20. Summary - the dark side of creativity - a
differentiated model David H. Cropley.
Creativity has no dark side Mark A. Runco; 3. Positive creativity and
negative creativity (and unintended consequences) Keith James and Aisha
Taylor; 4. Subjugating the creative mind: the Soviet biological weapons
program and the role of the state Maria N. Zaitseva; 5. Imagining the bomb:
Robert Oppenheimer, nuclear weapons, and the assimilation of technological
innovation David Hecht; 6. The innovation dilemma: some risks of creativity
in strategic agency James M. Jasper; 7. Creativity as a constraint on
future achievement Jack A. Goncalo, Lynne C. Vincent and Pino G. Audia; 8.
Boundless creativity Kevin Hilton; 9. Reviewing the art of crime - what, if
anything, do criminals and artists/designers have in common? Lorraine
Gamman and Maziar Raein; 10. Creativity in confinement Jennie Kaufman
Singer; 11. Creativity and crime: how criminals use creativity to succeed
Russell Eisenman; 12. So you want to become a creative genius? You must be
crazy! Dean Keith Simonton; 13. Both sides of the coin?: personality,
deviance, and creative behavior Luis Daniel Gascón and James C. Kaufman;
14. Neurosis: the dark side of emotional creativity James R. Averill and
Elma P. Nunley; 15. Dangling from a tassel on the fabric of socially
constructed reality: reflections on the creative writing process Liane
Gabora and Nancy Holmes; 16. Creativity in the classroom: the dark side
Arthur J. Cropley; 17. The dark side of creativity and how to combat it
Robert J. Sternberg; 18. A systems engineering approach to counter
terrorism Amihud Hari; 19. Malevolent innovation: opposing the dark side of
creativity David H. Cropley; 20. Summary - the dark side of creativity - a
differentiated model David H. Cropley.
1. The dark side of creativity: what is it? Arthur J. Cropley; 2.
Creativity has no dark side Mark A. Runco; 3. Positive creativity and
negative creativity (and unintended consequences) Keith James and Aisha
Taylor; 4. Subjugating the creative mind: the Soviet biological weapons
program and the role of the state Maria N. Zaitseva; 5. Imagining the bomb:
Robert Oppenheimer, nuclear weapons, and the assimilation of technological
innovation David Hecht; 6. The innovation dilemma: some risks of creativity
in strategic agency James M. Jasper; 7. Creativity as a constraint on
future achievement Jack A. Goncalo, Lynne C. Vincent and Pino G. Audia; 8.
Boundless creativity Kevin Hilton; 9. Reviewing the art of crime - what, if
anything, do criminals and artists/designers have in common? Lorraine
Gamman and Maziar Raein; 10. Creativity in confinement Jennie Kaufman
Singer; 11. Creativity and crime: how criminals use creativity to succeed
Russell Eisenman; 12. So you want to become a creative genius? You must be
crazy! Dean Keith Simonton; 13. Both sides of the coin?: personality,
deviance, and creative behavior Luis Daniel Gascón and James C. Kaufman;
14. Neurosis: the dark side of emotional creativity James R. Averill and
Elma P. Nunley; 15. Dangling from a tassel on the fabric of socially
constructed reality: reflections on the creative writing process Liane
Gabora and Nancy Holmes; 16. Creativity in the classroom: the dark side
Arthur J. Cropley; 17. The dark side of creativity and how to combat it
Robert J. Sternberg; 18. A systems engineering approach to counter
terrorism Amihud Hari; 19. Malevolent innovation: opposing the dark side of
creativity David H. Cropley; 20. Summary - the dark side of creativity - a
differentiated model David H. Cropley.
Creativity has no dark side Mark A. Runco; 3. Positive creativity and
negative creativity (and unintended consequences) Keith James and Aisha
Taylor; 4. Subjugating the creative mind: the Soviet biological weapons
program and the role of the state Maria N. Zaitseva; 5. Imagining the bomb:
Robert Oppenheimer, nuclear weapons, and the assimilation of technological
innovation David Hecht; 6. The innovation dilemma: some risks of creativity
in strategic agency James M. Jasper; 7. Creativity as a constraint on
future achievement Jack A. Goncalo, Lynne C. Vincent and Pino G. Audia; 8.
Boundless creativity Kevin Hilton; 9. Reviewing the art of crime - what, if
anything, do criminals and artists/designers have in common? Lorraine
Gamman and Maziar Raein; 10. Creativity in confinement Jennie Kaufman
Singer; 11. Creativity and crime: how criminals use creativity to succeed
Russell Eisenman; 12. So you want to become a creative genius? You must be
crazy! Dean Keith Simonton; 13. Both sides of the coin?: personality,
deviance, and creative behavior Luis Daniel Gascón and James C. Kaufman;
14. Neurosis: the dark side of emotional creativity James R. Averill and
Elma P. Nunley; 15. Dangling from a tassel on the fabric of socially
constructed reality: reflections on the creative writing process Liane
Gabora and Nancy Holmes; 16. Creativity in the classroom: the dark side
Arthur J. Cropley; 17. The dark side of creativity and how to combat it
Robert J. Sternberg; 18. A systems engineering approach to counter
terrorism Amihud Hari; 19. Malevolent innovation: opposing the dark side of
creativity David H. Cropley; 20. Summary - the dark side of creativity - a
differentiated model David H. Cropley.