This is a critical study of the great British man of letters G.K. Chesterton, devoted to the novels, stories and essays that explore the darker fringes of his wild imagination. "Everything is different in the dark," wrote Chesterton; "perhaps you don't know how terrible a truth that is." Chesterton's use of the theme of "gargoyles" provides the thematic structure of the book. It covers the detective stories of Father Brown and others, the locked rooms and miracle crimes in his writing, his status as a science fiction writer, and the riddles and paradoxes of three works--Job, The Man Who Was…mehr
This is a critical study of the great British man of letters G.K. Chesterton, devoted to the novels, stories and essays that explore the darker fringes of his wild imagination. "Everything is different in the dark," wrote Chesterton; "perhaps you don't know how terrible a truth that is." Chesterton's use of the theme of "gargoyles" provides the thematic structure of the book. It covers the detective stories of Father Brown and others, the locked rooms and miracle crimes in his writing, his status as a science fiction writer, and the riddles and paradoxes of three works--Job, The Man Who Was Thursday, and the play The Surprise. This volume also includes an interlude about Chesterton and Jorge Luis Borges and a robust appendix including interviews about the formation of Ignatius Press's Collected Chesterton.
John C. Tibbetts is an associate professor of film and media studies at the University of Kansas.
Inhaltsangabe
Table of Contents Acknowledgments A Note on Chesterton Page References Foreword by Dale Ahlquist Prologue: "Under a Crooked Sky" Introduction: The Table Is Set Chapter One. Chesterton and His Gargoyles: "A Gnarled Fancy" Chapter Two. "Let the Tale Be Told": The Weird Tales Chapter Three. "Sometimes I See Things in the Dark": The Detective Stories Chapter Four. "Will Someone Please Explain the Explanation?" Locked Rooms and Miracle Crimes Interlude: Chesterton and Jorge Luis Borges: "The Precarious Subjection of a Demoniacal Will" Chapter Five. "It is a new planet and it shall bear my name" Chesterton and Science Fiction Chapter Six. Thursday's Children: Job, The Man Who Was Thursday and The Surprise Epilogue Appendix A. "On the Road to Top Meadow" Appendix B. "The Man Who Knew Too Much": The Story of Ignatius Press' Collected Chesterton Appendix C. "A Mastery of Miracles": G.K. Chesterton and John Dickson Carr (by Douglas G. Greene) Appendix D. "G.K. Chesterton, Ray Bradbury, and George Bernard Shaw" by Jonathan Eller Appendix E. Father Brown's Space-Age Adventure: "The Spear of the Sun" G.K. Ch*st*rt*n Chapter Notes Bibliography Index
Table of Contents Acknowledgments A Note on Chesterton Page References Foreword by Dale Ahlquist Prologue: "Under a Crooked Sky" Introduction: The Table Is Set Chapter One. Chesterton and His Gargoyles: "A Gnarled Fancy" Chapter Two. "Let the Tale Be Told": The Weird Tales Chapter Three. "Sometimes I See Things in the Dark": The Detective Stories Chapter Four. "Will Someone Please Explain the Explanation?" Locked Rooms and Miracle Crimes Interlude: Chesterton and Jorge Luis Borges: "The Precarious Subjection of a Demoniacal Will" Chapter Five. "It is a new planet and it shall bear my name" Chesterton and Science Fiction Chapter Six. Thursday's Children: Job, The Man Who Was Thursday and The Surprise Epilogue Appendix A. "On the Road to Top Meadow" Appendix B. "The Man Who Knew Too Much": The Story of Ignatius Press' Collected Chesterton Appendix C. "A Mastery of Miracles": G.K. Chesterton and John Dickson Carr (by Douglas G. Greene) Appendix D. "G.K. Chesterton, Ray Bradbury, and George Bernard Shaw" by Jonathan Eller Appendix E. Father Brown's Space-Age Adventure: "The Spear of the Sun" G.K. Ch*st*rt*n Chapter Notes Bibliography Index
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