The Day and Night Machine - Burns, Ian
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It's Jess's thirteenth birthday. She's been in bed for nearly a year, the result of a car accident that killed her father. Surprisingly, she finds a birthday present from him, an unusual gift for a girl and one which she, her mother, and her grandfather, puzzle over. In the course of playing with it, Jess discovers that it has some highly-unexpected properties. But then, purely by accident, she discovers its most amazing feature.

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Produktbeschreibung
It's Jess's thirteenth birthday. She's been in bed for nearly a year, the result of a car accident that killed her father. Surprisingly, she finds a birthday present from him, an unusual gift for a girl and one which she, her mother, and her grandfather, puzzle over. In the course of playing with it, Jess discovers that it has some highly-unexpected properties. But then, purely by accident, she discovers its most amazing feature.
Autorenporträt
This story is the final of three set in India and Australia, beginning around 1950 and following through to today. Ranga Plays Australia tells the original story, in the third person. It had its origin in a suggestion by an old friend that I write a book about India, cricket, and Australia - surely an irresistible combination. But I am not Indian, though I did have boyhood Indian playmates and have visited India several times, so my concern resolved around writing authentically, where an Indian reader would not be able to take me to task. Luckily, I was introduced to Bhaktavatsala Moola, an eminent movie producer and widely-read in English literature. He was also a protege of former Prime Minister Indira Gandhi. Bhakta rode shotgun on me, chapter by chapter. Looking back on the story, I found that I was very fond of Ranga's guru and his many wise sayings, such that I put these together in a second book, The Wisdom of Harkishen Singh, which was complemented with photos of an earlier India. Now this book, which shows the context of some of Harkishen's sayings, and spends more time with Ranga's later life, with more attention to his Australian experience. This is told in the first person.