Gilbert Keith Chesterton (29 May 1874 - 14 June 1936) was an English writer, philosopher, lay theologian, and literary and art critic. He has been referred to as the "prince of paradox". Time magazine observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out." Chesterton created the fictional priest-detective Father Brown, and wrote on apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man. Chesterton routinely…mehr
Gilbert Keith Chesterton (29 May 1874 - 14 June 1936) was an English writer, philosopher, lay theologian, and literary and art critic. He has been referred to as the "prince of paradox". Time magazine observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out." Chesterton created the fictional priest-detective Father Brown, and wrote on apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man. Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Roman Catholicism from high church Anglicanism.
Chesterton was born in Campden Hill, Kensington, London, as the son of Edward Chesterton (1841-1922), an estate agent, and Marie Louise, nee Grosjean, of Swiss French descent. Chesterton was baptized into the Church of England when he was one month old, despite his family's inconsistent Unitarian practice. According to his book, as a young man, he was captivated by the occult and, with his brother Cecil, experimented with Ouija boards. He attended St Paul's School before moving on to the Slade School of Art to study illustration. The Slade is a department of University College London where Chesterton also took literary studies, but he did not earn a degree in either field. Chesterton developed the fictional priest-detective Father Brown and wrote on apologetics. Even those who disagree with him acknowledge the broad popularity of works like Orthodoxy and The Everlasting Man. Chesterton frequently referred to himself as an orthodox Christian, and he gradually identified this viewpoint with Catholicism before switching from high church Anglicanism. Biographers see him as a successor to Victorian authors like Matthew Arnold, Thomas Carlyle, John Henry Newman, and John Ruskin.
Inhaltsangabe
In Defence of a New Edition In Defense of an Even Newer Edition Introduction A Defence of Penny Dreadfuls A Defence of Rash Vows A Defence of Skelletons A Defence of Publicity A Defence of Nonsense A Defence of Planets A Defence of China Shepherdesses A Defence of Useful Information A Defence of Heraldry A Defence of Ugly Things A Defence of Farce A Defence of Humility A Defence of Slang A Defence of Baby-Worship A Defence of Detective Stories A Defence of Patriotism
In Defence of a New Edition In Defense of an Even Newer Edition Introduction A Defence of Penny Dreadfuls A Defence of Rash Vows A Defence of Skelletons A Defence of Publicity A Defence of Nonsense A Defence of Planets A Defence of China Shepherdesses A Defence of Useful Information A Defence of Heraldry A Defence of Ugly Things A Defence of Farce A Defence of Humility A Defence of Slang A Defence of Baby-Worship A Defence of Detective Stories A Defence of Patriotism
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