This book explores the Artistic Records Committee (ARC) of the Imperial War Museum (IWM) as a bureaucratic mechanism that enabled the deployment of art as an instrument of war.
This book explores the Artistic Records Committee (ARC) of the Imperial War Museum (IWM) as a bureaucratic mechanism that enabled the deployment of art as an instrument of war.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Clare Carolin is a senior lecturer in Art and Public Engagement at King's College London, UK. She was previously Exhibitions Curator at the Hayward Gallery, Senior Curator at Modern Art Oxford, Associate Curator at the Museum of Contemporary Art and Design, Manila, and Co-Director of the Curating Contemporary Art Department at the Royal College of Art, London.
Inhaltsangabe
Introduction: 'To Whom It May Concern' 1. 30 January 1972 2. Contexts And Origins Of A Contemporary Official War Art Scheme 3. Operational Uses Of War Art 4. The First Artistic Records Committee 5. Ken Howard: 'The Imperial War Museum's Official Recorder In Northern Ireland' 1973-1978 6. Linda Kitson: 'Official Artist Of The Falklands War,' 1982 Final Conclusion: Future Deployment Index
Introduction: 'To Whom It May Concern' 1. 30 January 1972 2. Contexts And Origins Of A Contemporary Official War Art Scheme 3. Operational Uses Of War Art 4. The First Artistic Records Committee 5. Ken Howard: 'The Imperial War Museum's Official Recorder In Northern Ireland' 1973-1978 6. Linda Kitson: 'Official Artist Of The Falklands War,' 1982 Final Conclusion: Future Deployment Index
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