The Design History Reader
Herausgeber: Lees-Maffei, Grace; Houze, Rebecca
The Design History Reader
Herausgeber: Lees-Maffei, Grace; Houze, Rebecca
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This is the first anthology to address Design History as an established discipline, a field of study which is developing a contextualised understanding of the role of design and designed objects within social and cultural history. Extracts range from the 18th Century, when design and manufacture separated, to the present day. Drawn from scholarly and polemical books, research articles, exhibition catalogues, and magazines, the extracts are placed in themed sections, with each section separately introduced and each concluded with an annotated guide to further reading. Covering both primary…mehr
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This is the first anthology to address Design History as an established discipline, a field of study which is developing a contextualised understanding of the role of design and designed objects within social and cultural history. Extracts range from the 18th Century, when design and manufacture separated, to the present day. Drawn from scholarly and polemical books, research articles, exhibition catalogues, and magazines, the extracts are placed in themed sections, with each section separately introduced and each concluded with an annotated guide to further reading. Covering both primary texts (such as the writings of designers and design reformers) and secondary texts (in the form of key works of design history), the reader provides an essential resource for understanding the history of design, the development of the discipline, and contemporary issues in design history and practice. Authors include: Judy Attfield, Jeremy Aynsley, Reyner Banham, Roland Barthes, Jean Baudrillard, Walter Benjamin, Pierre Bourdieu, Christopher Breward, Denise Scott Brown, Ruth Schwartz Cowan, Clive Dilnot, Buckminster Fuller, Paul Greenhalgh, Dick Hebdige, Steven Heller, John Heskett, Pat Kirkham, Adolf Loos, Victor Margolin, Karl Marx, Jeffrey Meikle, William Morris, Gillian Naylor, Victor Papanek, Nikolaus Pevsner, John Ruskin, Adam Smith, Penny Sparke, John Styles, Nancy Troy, Thorstein Veblen, Robert Venturi, John Walker, Frank Lloyd Wright.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Academic
- Seitenzahl: 560
- Erscheinungstermin: 21. April 2022
- Englisch
- Abmessung: 246mm x 191mm x 35mm
- Gewicht: 1078g
- ISBN-13: 9781350121034
- ISBN-10: 1350121037
- Artikelnr.: 55955198
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Bloomsbury Academic
- Seitenzahl: 560
- Erscheinungstermin: 21. April 2022
- Englisch
- Abmessung: 246mm x 191mm x 35mm
- Gewicht: 1078g
- ISBN-13: 9781350121034
- ISBN-10: 1350121037
- Artikelnr.: 55955198
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Grace Lees-Maffei is Senior Lecturer in the History and Theory of Design and Applied Arts at the University of Hertfordshire. Rebecca Houze is Associate Professor of Art History at Northern Illinois University.
List of Illustrations
Acknowledgements
Notes on Contributors
General Introduction, Grace Lees-Maffei
Part One: Histories
Introduction to Part One, Rebecca Houze
SECTION 1: NEW DESIGNERS 1676- 1820
Introduction, Grace Lees-Maffei
1. An Indian Basket, Providence, Rhode Island, 1676, Laurel Thatcher Ulrich
2. A Slipware Dish by Samuel Malkin: An Analysis of Vernacular Design,
Darron Dean
3. Of The Division of Labour, Adam Smith
4. The Wedgwood Slave Medallion: Values in Eighteenth-Century Design, Mary
Guyatt
5. Manufacturing, Consumption and Design in Eighteenth Century England,
John Styles
Guide to Further Reading for Section 1
SECTION 2: DESIGN REFORM 1820-1910
Introduction, Rebecca Houze
6. Science, Industry, and Art, Gottfried Semper
7. The Nature of Gothic, John Ruskin
8. The Ideal Book, William Morris
9. The 'American System' and Mass-Production from Industrial Design, John
Heskett
10. The 1900 Paris Exposition, from Art Nouveau in Fin-de-Siècle France,
Debora Silverman
11. The Art and Craft of the Machine, Frank Lloyd Wright
Guide to Further Reading for Section 2
SECTION 3: MODERNISMS 1908-1950
Introduction, Rebecca Houze
12. Introduction to Modernism in Design, Paul Greenhalgh
13. Ornament and Crime, Adolf Loos
14. Werkbund Theses and Antitheses, Hermann Muthesius and Henry van de
Velde
15. The Modern Movement before Nineteen-fourteen from Pioneers of Modern
Design, Nikolaus Pevsner
16. The Coloristes and Charles-Edouard Jeanneret, from Modernism and the
Decorative Arts in France, Nancy Troy
17. From Workshop to Laboratory, from The Bauhaus Reassessed, Gillian
Naylor
18. The Search for an American Design Aesthetic: from Art Deco to
Streamlining, Nicolas Maffei
Guide to Further Reading for Section 3
SECTION 4: WAR/POSTWAR/COLD WAR 1943-1970
Introduction, Grace Lees-Maffei
19. Utility Furniture and the Myth of Utility 1943-1948, Matthew Denney
20. 'Here Is the Modern World Itself' the Festival of Britain's
Representations of The Future Becky Conekin
21. Populuxe, Thomas Hine
22. The Khrushchev Kitchen: Domesticating the Scientific-Technological
Revolution Susan E. Reid
23. All That Glitters is Not Stainless, Reyner Banham
Guide to Further Reading for Section 4
SECTION 5: POSTMODERNISMS 1967-2006
Introduction, Rebecca Houze
24. A Significance for A & P Parking Lots, or Learning from Las Vegas,
Robert Venturi, Denise Scott-Brown and Steven Izenour
25. The Ecstasy of Communication, Jean Baudrillard
26. There is No Kitsch, There is Only Design!, Gert Selle
27. Deconstruction and Graphic Design: History Meets Theory, Ellen Lupton
and J. Abbott Miller
28. What was Philippe Starck thinking of? P. Lloyd and D. Snelders
29. Fabricating Identities: Survival and the Imagination in Jamaican
Dancehall Culture, Bibi Bakare-Yusuf
Guide to Further Reading for Section 5
SECTION 6: SUSTAINABLE FUTURES 1960-2003
Introduction, Rebecca Houze
30. Operating Manual for Spaceship Earth, R. Buckminster Fuller
31. How to Outmode a $4,000 Vehicle in Two Years, from The Waste Makers,
Vance Packard
32. Do-It-Yourself Murder: the Social and Moral Responsibility of the
Designer, from Design for the Real World, Victor Papanek
33. Material Doubts and Plastic Fallout, from American Plastic, Jeffrey L.
Meikle
34. Introduction, The Green Consumer Supermarket Guide, Joel Makower, John
Elkington, and Julia Hailes
35. Redefining Rubbish: Commodity Disposal and Sourcing, Nicky Gregson and
Louise Crewe
36. The Hannover Principles. Design for Sustainability, William McDonough
Guide to Further Reading for Section 6
Part Two: Methods and Themes
Introduction to Part Two , Grace Lees-Maffei
SECTION 7: FOUNDATIONS, DEBATES, HISTORIOGRAPHY, 1980-1995
Introduction, Grace Lees-Maffei
37. Taking Stock in Design History, Fran Hannah and Tim Putnam
38. The State of Design History, Part I: Mapping the Field, Clive Dilnot
39. Design History and the History of Design, John A. Walker
40. Design History or Design Studies: Subject Matter and Methods, Victor
Margolin
41. Resisting Colonization: Design History Has Its Own Identity, Jonathan
M. Woodham
Guide to Further Reading for Section 7
SECTION 8: OBJECTS, SUBJECTS AND NEGOTIATIONS
Introduction, Grace Lees-Maffei
42. Object as Image: The Italian Scooter Cycle, Dick Hebdige
43. The Most Cherished Objects in the Home, Mihaly Csikszentmihalyi and
Eugene Rochberg-Halton
44. How the Refrigerator Got Its Hum, Ruth Schwartz Cowan
45. The History of Craft, Paul Greenhalgh
46. Faith, Form and Finish: Shaker Furniture in Context, Jean M. Burks
Guide to Further Reading for Section 8
SECTION 9: GENDER AND DESIGN
Introduction, Rebecca Houze
47. FORM/female FOLLOWS FUNCTION/male: Feminist Critiques of Design, Judy
Attfield
48. The Architect's Wife, Introduction to As Long As Its Pink, Penny Sparke
49. Humanizing Modernism: the Crafts, 'Functioning Decoration,' and the
Eamses, Pat Kirkham
50. 'In London's maze': the pleasures of fashionable consumption from The
Hidden Consumer, Christopher Breward
51. Self-Made Motormen: The Material Construction of Working-class
Masculine Identities through Car Modification, Andrew Bengry-Howell and
Christine Griffin
Guide to Further Reading for Section 9
SECTION 10: CONSUMPTION
Introduction, Rebecca Houze
52. The Fetishism of the Commodity and its Secret, from Capital, Karl Marx
53. Conspicuous Consumption from The Theory of the Leisure Class, Thorstein
Veblen
54. Myth Today, The New Citroën, and Plastic, from Mythologies, Roland
Barthes
55. Introduction and The Sense of Distinction from Distinction: A Social
Critique of the Judgement of Taste, Pierre Bourdieu
56. 'Parties Are the Answer': The Ascent of the Tupperware Party, Alison
Clarke
57. The Revolution Will Be Marketed: American Corporations and Black
Consumers during the 1960s, Robert E. Weems, Jr.
Guide to Further Reading for Section 10
SECTION 11: MEDIATION
Introduction, Grace Lees-Maffei
58. The Work of Art in the Age of Mechanical Reproduction, Walter Benjamin
59. Advertising, Mother of Graphic Design, Steven Heller
60. 'Decorators May Be Compared to Doctors' An Analysis of Rhoda and Agnes
Garrett's Suggestions For House Decoration In Painting, Woodwork And
Furniture (1876), Emma Ferry
61. Integrative Practice: Oral History, Dress and Disability Studies, Liz
Linthicum
62. Introduction to Design and the Modern Magazine, Jeremy Aynsley and Kate
Forde
Guide to Further Reading for Section 11
SECTION 12: LOCAL/REGIONAL/NATIONAL/GLOBAL
Introduction, Grace Lees-Maffei
63. Finding Poland in the Margins: The Case of the Zakopane Style, David
Crowley
64. Furniture Design and Colonialism: Negotiating Relationships between
Britain and Australia, 1880-1901, Tracey Avery
65. "From Baby's First Bath:" Kaô Soap and Modern Japanese Commercial
Design, Gennifer Weisenfeld
66. Land Rover and Colonial-Style Adventure, Jeanne Van Eeden
67. Swoosh Identity: Recontextualizations in Haiti and Romania, Paul B.
Bick and Sorina Chiper
Guide to Further Reading for Section 12
Bibliography
Index
Acknowledgements
Notes on Contributors
General Introduction, Grace Lees-Maffei
Part One: Histories
Introduction to Part One, Rebecca Houze
SECTION 1: NEW DESIGNERS 1676- 1820
Introduction, Grace Lees-Maffei
1. An Indian Basket, Providence, Rhode Island, 1676, Laurel Thatcher Ulrich
2. A Slipware Dish by Samuel Malkin: An Analysis of Vernacular Design,
Darron Dean
3. Of The Division of Labour, Adam Smith
4. The Wedgwood Slave Medallion: Values in Eighteenth-Century Design, Mary
Guyatt
5. Manufacturing, Consumption and Design in Eighteenth Century England,
John Styles
Guide to Further Reading for Section 1
SECTION 2: DESIGN REFORM 1820-1910
Introduction, Rebecca Houze
6. Science, Industry, and Art, Gottfried Semper
7. The Nature of Gothic, John Ruskin
8. The Ideal Book, William Morris
9. The 'American System' and Mass-Production from Industrial Design, John
Heskett
10. The 1900 Paris Exposition, from Art Nouveau in Fin-de-Siècle France,
Debora Silverman
11. The Art and Craft of the Machine, Frank Lloyd Wright
Guide to Further Reading for Section 2
SECTION 3: MODERNISMS 1908-1950
Introduction, Rebecca Houze
12. Introduction to Modernism in Design, Paul Greenhalgh
13. Ornament and Crime, Adolf Loos
14. Werkbund Theses and Antitheses, Hermann Muthesius and Henry van de
Velde
15. The Modern Movement before Nineteen-fourteen from Pioneers of Modern
Design, Nikolaus Pevsner
16. The Coloristes and Charles-Edouard Jeanneret, from Modernism and the
Decorative Arts in France, Nancy Troy
17. From Workshop to Laboratory, from The Bauhaus Reassessed, Gillian
Naylor
18. The Search for an American Design Aesthetic: from Art Deco to
Streamlining, Nicolas Maffei
Guide to Further Reading for Section 3
SECTION 4: WAR/POSTWAR/COLD WAR 1943-1970
Introduction, Grace Lees-Maffei
19. Utility Furniture and the Myth of Utility 1943-1948, Matthew Denney
20. 'Here Is the Modern World Itself' the Festival of Britain's
Representations of The Future Becky Conekin
21. Populuxe, Thomas Hine
22. The Khrushchev Kitchen: Domesticating the Scientific-Technological
Revolution Susan E. Reid
23. All That Glitters is Not Stainless, Reyner Banham
Guide to Further Reading for Section 4
SECTION 5: POSTMODERNISMS 1967-2006
Introduction, Rebecca Houze
24. A Significance for A & P Parking Lots, or Learning from Las Vegas,
Robert Venturi, Denise Scott-Brown and Steven Izenour
25. The Ecstasy of Communication, Jean Baudrillard
26. There is No Kitsch, There is Only Design!, Gert Selle
27. Deconstruction and Graphic Design: History Meets Theory, Ellen Lupton
and J. Abbott Miller
28. What was Philippe Starck thinking of? P. Lloyd and D. Snelders
29. Fabricating Identities: Survival and the Imagination in Jamaican
Dancehall Culture, Bibi Bakare-Yusuf
Guide to Further Reading for Section 5
SECTION 6: SUSTAINABLE FUTURES 1960-2003
Introduction, Rebecca Houze
30. Operating Manual for Spaceship Earth, R. Buckminster Fuller
31. How to Outmode a $4,000 Vehicle in Two Years, from The Waste Makers,
Vance Packard
32. Do-It-Yourself Murder: the Social and Moral Responsibility of the
Designer, from Design for the Real World, Victor Papanek
33. Material Doubts and Plastic Fallout, from American Plastic, Jeffrey L.
Meikle
34. Introduction, The Green Consumer Supermarket Guide, Joel Makower, John
Elkington, and Julia Hailes
35. Redefining Rubbish: Commodity Disposal and Sourcing, Nicky Gregson and
Louise Crewe
36. The Hannover Principles. Design for Sustainability, William McDonough
Guide to Further Reading for Section 6
Part Two: Methods and Themes
Introduction to Part Two , Grace Lees-Maffei
SECTION 7: FOUNDATIONS, DEBATES, HISTORIOGRAPHY, 1980-1995
Introduction, Grace Lees-Maffei
37. Taking Stock in Design History, Fran Hannah and Tim Putnam
38. The State of Design History, Part I: Mapping the Field, Clive Dilnot
39. Design History and the History of Design, John A. Walker
40. Design History or Design Studies: Subject Matter and Methods, Victor
Margolin
41. Resisting Colonization: Design History Has Its Own Identity, Jonathan
M. Woodham
Guide to Further Reading for Section 7
SECTION 8: OBJECTS, SUBJECTS AND NEGOTIATIONS
Introduction, Grace Lees-Maffei
42. Object as Image: The Italian Scooter Cycle, Dick Hebdige
43. The Most Cherished Objects in the Home, Mihaly Csikszentmihalyi and
Eugene Rochberg-Halton
44. How the Refrigerator Got Its Hum, Ruth Schwartz Cowan
45. The History of Craft, Paul Greenhalgh
46. Faith, Form and Finish: Shaker Furniture in Context, Jean M. Burks
Guide to Further Reading for Section 8
SECTION 9: GENDER AND DESIGN
Introduction, Rebecca Houze
47. FORM/female FOLLOWS FUNCTION/male: Feminist Critiques of Design, Judy
Attfield
48. The Architect's Wife, Introduction to As Long As Its Pink, Penny Sparke
49. Humanizing Modernism: the Crafts, 'Functioning Decoration,' and the
Eamses, Pat Kirkham
50. 'In London's maze': the pleasures of fashionable consumption from The
Hidden Consumer, Christopher Breward
51. Self-Made Motormen: The Material Construction of Working-class
Masculine Identities through Car Modification, Andrew Bengry-Howell and
Christine Griffin
Guide to Further Reading for Section 9
SECTION 10: CONSUMPTION
Introduction, Rebecca Houze
52. The Fetishism of the Commodity and its Secret, from Capital, Karl Marx
53. Conspicuous Consumption from The Theory of the Leisure Class, Thorstein
Veblen
54. Myth Today, The New Citroën, and Plastic, from Mythologies, Roland
Barthes
55. Introduction and The Sense of Distinction from Distinction: A Social
Critique of the Judgement of Taste, Pierre Bourdieu
56. 'Parties Are the Answer': The Ascent of the Tupperware Party, Alison
Clarke
57. The Revolution Will Be Marketed: American Corporations and Black
Consumers during the 1960s, Robert E. Weems, Jr.
Guide to Further Reading for Section 10
SECTION 11: MEDIATION
Introduction, Grace Lees-Maffei
58. The Work of Art in the Age of Mechanical Reproduction, Walter Benjamin
59. Advertising, Mother of Graphic Design, Steven Heller
60. 'Decorators May Be Compared to Doctors' An Analysis of Rhoda and Agnes
Garrett's Suggestions For House Decoration In Painting, Woodwork And
Furniture (1876), Emma Ferry
61. Integrative Practice: Oral History, Dress and Disability Studies, Liz
Linthicum
62. Introduction to Design and the Modern Magazine, Jeremy Aynsley and Kate
Forde
Guide to Further Reading for Section 11
SECTION 12: LOCAL/REGIONAL/NATIONAL/GLOBAL
Introduction, Grace Lees-Maffei
63. Finding Poland in the Margins: The Case of the Zakopane Style, David
Crowley
64. Furniture Design and Colonialism: Negotiating Relationships between
Britain and Australia, 1880-1901, Tracey Avery
65. "From Baby's First Bath:" Kaô Soap and Modern Japanese Commercial
Design, Gennifer Weisenfeld
66. Land Rover and Colonial-Style Adventure, Jeanne Van Eeden
67. Swoosh Identity: Recontextualizations in Haiti and Romania, Paul B.
Bick and Sorina Chiper
Guide to Further Reading for Section 12
Bibliography
Index
List of Illustrations
Acknowledgements
Notes on Contributors
General Introduction, Grace Lees-Maffei
Part One: Histories
Introduction to Part One, Rebecca Houze
SECTION 1: NEW DESIGNERS 1676- 1820
Introduction, Grace Lees-Maffei
1. An Indian Basket, Providence, Rhode Island, 1676, Laurel Thatcher Ulrich
2. A Slipware Dish by Samuel Malkin: An Analysis of Vernacular Design,
Darron Dean
3. Of The Division of Labour, Adam Smith
4. The Wedgwood Slave Medallion: Values in Eighteenth-Century Design, Mary
Guyatt
5. Manufacturing, Consumption and Design in Eighteenth Century England,
John Styles
Guide to Further Reading for Section 1
SECTION 2: DESIGN REFORM 1820-1910
Introduction, Rebecca Houze
6. Science, Industry, and Art, Gottfried Semper
7. The Nature of Gothic, John Ruskin
8. The Ideal Book, William Morris
9. The 'American System' and Mass-Production from Industrial Design, John
Heskett
10. The 1900 Paris Exposition, from Art Nouveau in Fin-de-Siècle France,
Debora Silverman
11. The Art and Craft of the Machine, Frank Lloyd Wright
Guide to Further Reading for Section 2
SECTION 3: MODERNISMS 1908-1950
Introduction, Rebecca Houze
12. Introduction to Modernism in Design, Paul Greenhalgh
13. Ornament and Crime, Adolf Loos
14. Werkbund Theses and Antitheses, Hermann Muthesius and Henry van de
Velde
15. The Modern Movement before Nineteen-fourteen from Pioneers of Modern
Design, Nikolaus Pevsner
16. The Coloristes and Charles-Edouard Jeanneret, from Modernism and the
Decorative Arts in France, Nancy Troy
17. From Workshop to Laboratory, from The Bauhaus Reassessed, Gillian
Naylor
18. The Search for an American Design Aesthetic: from Art Deco to
Streamlining, Nicolas Maffei
Guide to Further Reading for Section 3
SECTION 4: WAR/POSTWAR/COLD WAR 1943-1970
Introduction, Grace Lees-Maffei
19. Utility Furniture and the Myth of Utility 1943-1948, Matthew Denney
20. 'Here Is the Modern World Itself' the Festival of Britain's
Representations of The Future Becky Conekin
21. Populuxe, Thomas Hine
22. The Khrushchev Kitchen: Domesticating the Scientific-Technological
Revolution Susan E. Reid
23. All That Glitters is Not Stainless, Reyner Banham
Guide to Further Reading for Section 4
SECTION 5: POSTMODERNISMS 1967-2006
Introduction, Rebecca Houze
24. A Significance for A & P Parking Lots, or Learning from Las Vegas,
Robert Venturi, Denise Scott-Brown and Steven Izenour
25. The Ecstasy of Communication, Jean Baudrillard
26. There is No Kitsch, There is Only Design!, Gert Selle
27. Deconstruction and Graphic Design: History Meets Theory, Ellen Lupton
and J. Abbott Miller
28. What was Philippe Starck thinking of? P. Lloyd and D. Snelders
29. Fabricating Identities: Survival and the Imagination in Jamaican
Dancehall Culture, Bibi Bakare-Yusuf
Guide to Further Reading for Section 5
SECTION 6: SUSTAINABLE FUTURES 1960-2003
Introduction, Rebecca Houze
30. Operating Manual for Spaceship Earth, R. Buckminster Fuller
31. How to Outmode a $4,000 Vehicle in Two Years, from The Waste Makers,
Vance Packard
32. Do-It-Yourself Murder: the Social and Moral Responsibility of the
Designer, from Design for the Real World, Victor Papanek
33. Material Doubts and Plastic Fallout, from American Plastic, Jeffrey L.
Meikle
34. Introduction, The Green Consumer Supermarket Guide, Joel Makower, John
Elkington, and Julia Hailes
35. Redefining Rubbish: Commodity Disposal and Sourcing, Nicky Gregson and
Louise Crewe
36. The Hannover Principles. Design for Sustainability, William McDonough
Guide to Further Reading for Section 6
Part Two: Methods and Themes
Introduction to Part Two , Grace Lees-Maffei
SECTION 7: FOUNDATIONS, DEBATES, HISTORIOGRAPHY, 1980-1995
Introduction, Grace Lees-Maffei
37. Taking Stock in Design History, Fran Hannah and Tim Putnam
38. The State of Design History, Part I: Mapping the Field, Clive Dilnot
39. Design History and the History of Design, John A. Walker
40. Design History or Design Studies: Subject Matter and Methods, Victor
Margolin
41. Resisting Colonization: Design History Has Its Own Identity, Jonathan
M. Woodham
Guide to Further Reading for Section 7
SECTION 8: OBJECTS, SUBJECTS AND NEGOTIATIONS
Introduction, Grace Lees-Maffei
42. Object as Image: The Italian Scooter Cycle, Dick Hebdige
43. The Most Cherished Objects in the Home, Mihaly Csikszentmihalyi and
Eugene Rochberg-Halton
44. How the Refrigerator Got Its Hum, Ruth Schwartz Cowan
45. The History of Craft, Paul Greenhalgh
46. Faith, Form and Finish: Shaker Furniture in Context, Jean M. Burks
Guide to Further Reading for Section 8
SECTION 9: GENDER AND DESIGN
Introduction, Rebecca Houze
47. FORM/female FOLLOWS FUNCTION/male: Feminist Critiques of Design, Judy
Attfield
48. The Architect's Wife, Introduction to As Long As Its Pink, Penny Sparke
49. Humanizing Modernism: the Crafts, 'Functioning Decoration,' and the
Eamses, Pat Kirkham
50. 'In London's maze': the pleasures of fashionable consumption from The
Hidden Consumer, Christopher Breward
51. Self-Made Motormen: The Material Construction of Working-class
Masculine Identities through Car Modification, Andrew Bengry-Howell and
Christine Griffin
Guide to Further Reading for Section 9
SECTION 10: CONSUMPTION
Introduction, Rebecca Houze
52. The Fetishism of the Commodity and its Secret, from Capital, Karl Marx
53. Conspicuous Consumption from The Theory of the Leisure Class, Thorstein
Veblen
54. Myth Today, The New Citroën, and Plastic, from Mythologies, Roland
Barthes
55. Introduction and The Sense of Distinction from Distinction: A Social
Critique of the Judgement of Taste, Pierre Bourdieu
56. 'Parties Are the Answer': The Ascent of the Tupperware Party, Alison
Clarke
57. The Revolution Will Be Marketed: American Corporations and Black
Consumers during the 1960s, Robert E. Weems, Jr.
Guide to Further Reading for Section 10
SECTION 11: MEDIATION
Introduction, Grace Lees-Maffei
58. The Work of Art in the Age of Mechanical Reproduction, Walter Benjamin
59. Advertising, Mother of Graphic Design, Steven Heller
60. 'Decorators May Be Compared to Doctors' An Analysis of Rhoda and Agnes
Garrett's Suggestions For House Decoration In Painting, Woodwork And
Furniture (1876), Emma Ferry
61. Integrative Practice: Oral History, Dress and Disability Studies, Liz
Linthicum
62. Introduction to Design and the Modern Magazine, Jeremy Aynsley and Kate
Forde
Guide to Further Reading for Section 11
SECTION 12: LOCAL/REGIONAL/NATIONAL/GLOBAL
Introduction, Grace Lees-Maffei
63. Finding Poland in the Margins: The Case of the Zakopane Style, David
Crowley
64. Furniture Design and Colonialism: Negotiating Relationships between
Britain and Australia, 1880-1901, Tracey Avery
65. "From Baby's First Bath:" Kaô Soap and Modern Japanese Commercial
Design, Gennifer Weisenfeld
66. Land Rover and Colonial-Style Adventure, Jeanne Van Eeden
67. Swoosh Identity: Recontextualizations in Haiti and Romania, Paul B.
Bick and Sorina Chiper
Guide to Further Reading for Section 12
Bibliography
Index
Acknowledgements
Notes on Contributors
General Introduction, Grace Lees-Maffei
Part One: Histories
Introduction to Part One, Rebecca Houze
SECTION 1: NEW DESIGNERS 1676- 1820
Introduction, Grace Lees-Maffei
1. An Indian Basket, Providence, Rhode Island, 1676, Laurel Thatcher Ulrich
2. A Slipware Dish by Samuel Malkin: An Analysis of Vernacular Design,
Darron Dean
3. Of The Division of Labour, Adam Smith
4. The Wedgwood Slave Medallion: Values in Eighteenth-Century Design, Mary
Guyatt
5. Manufacturing, Consumption and Design in Eighteenth Century England,
John Styles
Guide to Further Reading for Section 1
SECTION 2: DESIGN REFORM 1820-1910
Introduction, Rebecca Houze
6. Science, Industry, and Art, Gottfried Semper
7. The Nature of Gothic, John Ruskin
8. The Ideal Book, William Morris
9. The 'American System' and Mass-Production from Industrial Design, John
Heskett
10. The 1900 Paris Exposition, from Art Nouveau in Fin-de-Siècle France,
Debora Silverman
11. The Art and Craft of the Machine, Frank Lloyd Wright
Guide to Further Reading for Section 2
SECTION 3: MODERNISMS 1908-1950
Introduction, Rebecca Houze
12. Introduction to Modernism in Design, Paul Greenhalgh
13. Ornament and Crime, Adolf Loos
14. Werkbund Theses and Antitheses, Hermann Muthesius and Henry van de
Velde
15. The Modern Movement before Nineteen-fourteen from Pioneers of Modern
Design, Nikolaus Pevsner
16. The Coloristes and Charles-Edouard Jeanneret, from Modernism and the
Decorative Arts in France, Nancy Troy
17. From Workshop to Laboratory, from The Bauhaus Reassessed, Gillian
Naylor
18. The Search for an American Design Aesthetic: from Art Deco to
Streamlining, Nicolas Maffei
Guide to Further Reading for Section 3
SECTION 4: WAR/POSTWAR/COLD WAR 1943-1970
Introduction, Grace Lees-Maffei
19. Utility Furniture and the Myth of Utility 1943-1948, Matthew Denney
20. 'Here Is the Modern World Itself' the Festival of Britain's
Representations of The Future Becky Conekin
21. Populuxe, Thomas Hine
22. The Khrushchev Kitchen: Domesticating the Scientific-Technological
Revolution Susan E. Reid
23. All That Glitters is Not Stainless, Reyner Banham
Guide to Further Reading for Section 4
SECTION 5: POSTMODERNISMS 1967-2006
Introduction, Rebecca Houze
24. A Significance for A & P Parking Lots, or Learning from Las Vegas,
Robert Venturi, Denise Scott-Brown and Steven Izenour
25. The Ecstasy of Communication, Jean Baudrillard
26. There is No Kitsch, There is Only Design!, Gert Selle
27. Deconstruction and Graphic Design: History Meets Theory, Ellen Lupton
and J. Abbott Miller
28. What was Philippe Starck thinking of? P. Lloyd and D. Snelders
29. Fabricating Identities: Survival and the Imagination in Jamaican
Dancehall Culture, Bibi Bakare-Yusuf
Guide to Further Reading for Section 5
SECTION 6: SUSTAINABLE FUTURES 1960-2003
Introduction, Rebecca Houze
30. Operating Manual for Spaceship Earth, R. Buckminster Fuller
31. How to Outmode a $4,000 Vehicle in Two Years, from The Waste Makers,
Vance Packard
32. Do-It-Yourself Murder: the Social and Moral Responsibility of the
Designer, from Design for the Real World, Victor Papanek
33. Material Doubts and Plastic Fallout, from American Plastic, Jeffrey L.
Meikle
34. Introduction, The Green Consumer Supermarket Guide, Joel Makower, John
Elkington, and Julia Hailes
35. Redefining Rubbish: Commodity Disposal and Sourcing, Nicky Gregson and
Louise Crewe
36. The Hannover Principles. Design for Sustainability, William McDonough
Guide to Further Reading for Section 6
Part Two: Methods and Themes
Introduction to Part Two , Grace Lees-Maffei
SECTION 7: FOUNDATIONS, DEBATES, HISTORIOGRAPHY, 1980-1995
Introduction, Grace Lees-Maffei
37. Taking Stock in Design History, Fran Hannah and Tim Putnam
38. The State of Design History, Part I: Mapping the Field, Clive Dilnot
39. Design History and the History of Design, John A. Walker
40. Design History or Design Studies: Subject Matter and Methods, Victor
Margolin
41. Resisting Colonization: Design History Has Its Own Identity, Jonathan
M. Woodham
Guide to Further Reading for Section 7
SECTION 8: OBJECTS, SUBJECTS AND NEGOTIATIONS
Introduction, Grace Lees-Maffei
42. Object as Image: The Italian Scooter Cycle, Dick Hebdige
43. The Most Cherished Objects in the Home, Mihaly Csikszentmihalyi and
Eugene Rochberg-Halton
44. How the Refrigerator Got Its Hum, Ruth Schwartz Cowan
45. The History of Craft, Paul Greenhalgh
46. Faith, Form and Finish: Shaker Furniture in Context, Jean M. Burks
Guide to Further Reading for Section 8
SECTION 9: GENDER AND DESIGN
Introduction, Rebecca Houze
47. FORM/female FOLLOWS FUNCTION/male: Feminist Critiques of Design, Judy
Attfield
48. The Architect's Wife, Introduction to As Long As Its Pink, Penny Sparke
49. Humanizing Modernism: the Crafts, 'Functioning Decoration,' and the
Eamses, Pat Kirkham
50. 'In London's maze': the pleasures of fashionable consumption from The
Hidden Consumer, Christopher Breward
51. Self-Made Motormen: The Material Construction of Working-class
Masculine Identities through Car Modification, Andrew Bengry-Howell and
Christine Griffin
Guide to Further Reading for Section 9
SECTION 10: CONSUMPTION
Introduction, Rebecca Houze
52. The Fetishism of the Commodity and its Secret, from Capital, Karl Marx
53. Conspicuous Consumption from The Theory of the Leisure Class, Thorstein
Veblen
54. Myth Today, The New Citroën, and Plastic, from Mythologies, Roland
Barthes
55. Introduction and The Sense of Distinction from Distinction: A Social
Critique of the Judgement of Taste, Pierre Bourdieu
56. 'Parties Are the Answer': The Ascent of the Tupperware Party, Alison
Clarke
57. The Revolution Will Be Marketed: American Corporations and Black
Consumers during the 1960s, Robert E. Weems, Jr.
Guide to Further Reading for Section 10
SECTION 11: MEDIATION
Introduction, Grace Lees-Maffei
58. The Work of Art in the Age of Mechanical Reproduction, Walter Benjamin
59. Advertising, Mother of Graphic Design, Steven Heller
60. 'Decorators May Be Compared to Doctors' An Analysis of Rhoda and Agnes
Garrett's Suggestions For House Decoration In Painting, Woodwork And
Furniture (1876), Emma Ferry
61. Integrative Practice: Oral History, Dress and Disability Studies, Liz
Linthicum
62. Introduction to Design and the Modern Magazine, Jeremy Aynsley and Kate
Forde
Guide to Further Reading for Section 11
SECTION 12: LOCAL/REGIONAL/NATIONAL/GLOBAL
Introduction, Grace Lees-Maffei
63. Finding Poland in the Margins: The Case of the Zakopane Style, David
Crowley
64. Furniture Design and Colonialism: Negotiating Relationships between
Britain and Australia, 1880-1901, Tracey Avery
65. "From Baby's First Bath:" Kaô Soap and Modern Japanese Commercial
Design, Gennifer Weisenfeld
66. Land Rover and Colonial-Style Adventure, Jeanne Van Eeden
67. Swoosh Identity: Recontextualizations in Haiti and Romania, Paul B.
Bick and Sorina Chiper
Guide to Further Reading for Section 12
Bibliography
Index