The different facets of dancing in
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Essay from the year 2018 in the subject Didactics - English - Literature, Works, University of Burdwan, language: English, abstract: Dattani's drama "Dance Like a Man", first staged in 1989, dramatizes "dance" with its many implicit implications - dance as profession, dance as pain, dance as suffering, dance as shelter, dance as ego-formation, dance as rhythm of life, dance as passion, dance as mission, dance as vision and finally, dance as strong maker of gender identity; in addition, it is a reflector of the cultural location of India, more precisely, culturally rich Indianness. The play can…mehr

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Produktbeschreibung
Essay from the year 2018 in the subject Didactics - English - Literature, Works, University of Burdwan, language: English, abstract: Dattani's drama "Dance Like a Man", first staged in 1989, dramatizes "dance" with its many implicit implications - dance as profession, dance as pain, dance as suffering, dance as shelter, dance as ego-formation, dance as rhythm of life, dance as passion, dance as mission, dance as vision and finally, dance as strong maker of gender identity; in addition, it is a reflector of the cultural location of India, more precisely, culturally rich Indianness. The play can be read as a configuration of the characteristic grip of human identity that strongly interfaces the elements of identical autonomy and autonomous identity.
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Autorenporträt
Dr Ankur Konar is an Assistant Professor in English, Sir Rashbehari Ghosh mahavidyalaya, University of Burdwan. He can be reached at ankrknr@gmail.com. He has authored Cultural Poetics: Poetry, Society, Theory (2012) and Drama, Dattani, Discourse (2013).