The Differentiation of Modernism analyzes the phenomenon of intermediality in German radio plays, film music, and electronic music of the late modernist period (1945-1980).
The Differentiation of Modernism analyzes the phenomenon of intermediality in German radio plays, film music, and electronic music of the late modernist period (1945-1980).
Acknowledgments Introduction The Differentiation of Culture The Destruction of the Symphony: Adorno and American Radio The War with Other Media: Bachmann's Der gute Gott von Manhattan Radio Jelinek: From Discourse to Sinthome Jokes and Their Relation to Film Music Allegories of Management: Norbert Schultze's Soundtrack to Das Mädchen Rosemarie Straub and Huillet's Music Films The Modulated Subject: Stockhausen's Mikrophonie II Music Beyond Theater: Stockhausen's Aus den Sieben Tagen In Lieu of a Conclusion: Mediating the Divide Bibliography Index
Acknowledgments Introduction The Differentiation of Culture The Destruction of the Symphony: Adorno and American Radio The War with Other Media: Bachmann's Der gute Gott von Manhattan Radio Jelinek: From Discourse to Sinthome Jokes and Their Relation to Film Music Allegories of Management: Norbert Schultze's Soundtrack to Das Mädchen Rosemarie Straub and Huillet's Music Films The Modulated Subject: Stockhausen's Mikrophonie II Music Beyond Theater: Stockhausen's Aus den Sieben Tagen In Lieu of a Conclusion: Mediating the Divide Bibliography Index
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