“The Dignity of Every Human Being” studies the vibrant New Brunswick artistic community which challenged “the tyranny of the Group of Seven” with socially-engaged realism in the 1930s and 40s.
“The Dignity of Every Human Being” studies the vibrant New Brunswick artistic community which challenged “the tyranny of the Group of Seven” with socially-engaged realism in the 1930s and 40s.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kirk Niergarth is an assistant professor in the Department of Humanities at Mount Royal University.
Inhaltsangabe
Acknowledgments Part I: Art and Democracy Introduction The Atmosphere: Art and Politics in Canadian Magazines, 1935-1939 Walter Abell, Canadian Culture, and the Maritime Push Part II: The Collective Dream in New Brunswick Art Saint John Two “Giants”: “Pro-Artists” Jack Humphrey and Miller Brittain Artists are like this: Common interests of the “Crowd” Arising from the Thirties Dream: Saint John Artists and the Postwar Period Notes
Acknowledgments Part I: Art and Democracy Introduction The Atmosphere: Art and Politics in Canadian Magazines, 1935-1939 Walter Abell, Canadian Culture, and the Maritime Push Part II: The Collective Dream in New Brunswick Art Saint John Two “Giants”: “Pro-Artists” Jack Humphrey and Miller Brittain Artists are like this: Common interests of the “Crowd” Arising from the Thirties Dream: Saint John Artists and the Postwar Period Notes
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