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§___ WINNER OF THE 2021 CWA CRIME IN TRANSLATION DAGGER ___ __LONGLISTED FOR THE DUBLIN LITERARY AWARD 2022__ _LONGLISTED FOR THE 2021 COMEDY WOMEN IN PRINT PRIZE_
Yona has been stuck behind a desk for years working as a programming coordinator for Jungle, a travel company specialising in package holidays to destinations ravaged by disaster. When a senior colleague touches her inappropriately she tries to complain, and in an attempt to bury her allegations, the company make her an attractive proposition: a free ticket for one of their most sought-after trips, to the desert island of…mehr

Produktbeschreibung
§___ WINNER OF THE 2021 CWA CRIME IN TRANSLATION DAGGER ___
__LONGLISTED FOR THE DUBLIN LITERARY AWARD 2022__
_LONGLISTED FOR THE 2021 COMEDY WOMEN IN PRINT PRIZE_

Yona has been stuck behind a desk for years working as a programming coordinator for Jungle, a travel company specialising in package holidays to destinations ravaged by disaster. When a senior colleague touches her inappropriately she tries to complain, and in an attempt to bury her allegations, the company make her an attractive proposition: a free ticket for one of their most sought-after trips, to the desert island of Mui.

She accepts the offer and travels to the remote island, where the major attraction is a supposedly-dramatic sinkhole. When the customers who've paid a premium for the trip begin to get frustrated, Yona realises that the company has dangerous plans to fabricate an environmental catastrophe to make the trip more interesting, but when she tries to raise the alarm, she discovers she has put her own life in danger.
Autorenporträt
Yun Ko-eun was born in Seoul in 1980. Her short story 'Piercing' won the Daesan Literary Award for College Students the year she graduated from university. She received the 2008 Hankyorek Literature Award for her novel The Zero G Syndrome and in 2015 her short story collection Aloha won the Kim Yong Ik Novel Prize.
Rezensionen
A fresh and sharp story about life under late capitalism ... an entertaining eco-thriller Guardian