Debuting in 2019, Disney+ quickly became one of the most popular streaming services worldwide. With hubs for Disney, Pixar, Marvel, Star Wars and National Geographic, Disney+ not only provides "vault" content from these brands but also original films and television programming such as High School Musical: The Musical: The Series, The Mandalorian, The Mighty Ducks: Game Changers, Andor and The Imagineering Story. This collection of essays examines a variety of Disney+ exclusive content, exploring themes such as nostalgia, identity, representation and lived experience. Designed to appeal to both…mehr
Debuting in 2019, Disney+ quickly became one of the most popular streaming services worldwide. With hubs for Disney, Pixar, Marvel, Star Wars and National Geographic, Disney+ not only provides "vault" content from these brands but also original films and television programming such as High School Musical: The Musical: The Series, The Mandalorian, The Mighty Ducks: Game Changers, Andor and The Imagineering Story. This collection of essays examines a variety of Disney+ exclusive content, exploring themes such as nostalgia, identity, representation and lived experience. Designed to appeal to both academics and the average Disney fan, it attempts to answer the question of whether its original streaming content is a plus or minus for the "Mouse House."Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
David Whitt is a professor of communication studies at Nebraska Wesleyan University in Lincoln, Nebraska. He teaches mass media, persuasion, communication in the professions, and has taught courses on Star Trek, comic books, and the Irish rock group U2. John Perlich is an associate professor of communication studies at Bemidji State University in Bemidji, Minnesota. His teaching specialties include communication theory, mixed research methods, public speaking (presentation-based courses), and interpersonal communication.
Inhaltsangabe
Table of Contents Acknowledgments Introduction John Perlich and David Whitt Navigating the Worst of Times: Nostalgia on Disney+ Rhema F. White Ducks Fly Together: A Look at Disney+ as a Facilitator of Nostalgia and Transportation Kristi Gatto Recognizing the Princess as a Plus: Tracing as an Ideograph for Contemporary Representation and Progressive Revisions Erika M. Thomas and Mindy Burnett Doogie Kame¿loha, M.D.: Gen Z to AAPI Direct Marketing and Its Effects on Native Hawaiians Samantha Tecson "Stick to the Status Quo" or the "Start of Something New"? Exploring the Highs and Lows of Disney+'s High School Musical: The Musical: The Series Lori Bindig Yousman When the World Finally Sees Us: The Coming Out of the High School Musical Franchise Jennessa Hester Exploring Disney's Portrayal of Jessica Jones and She-Hulk as Complex Women Characters Newly Paul and Gwendelyn S. Nisbett Is Marvel a Transnational Revisionist Actor? Interpreting Change in the MCU Post-Blip "Real World" Pablo A. Sánchez-Rodríguez "This is the Way.": Reimagining Star Wars in the Revisionism of The Mandalorian Raymond Blanton A Great Disturbance... Andor, Diversity, and Representation in the Star Wars Universe John Perlich and Tim Baird Behind My Attraction: A Disney World Autoethnography David Whitt About the Contributors Index
Table of Contents Acknowledgments Introduction John Perlich and David Whitt Navigating the Worst of Times: Nostalgia on Disney+ Rhema F. White Ducks Fly Together: A Look at Disney+ as a Facilitator of Nostalgia and Transportation Kristi Gatto Recognizing the Princess as a Plus: Tracing as an Ideograph for Contemporary Representation and Progressive Revisions Erika M. Thomas and Mindy Burnett Doogie Kame¿loha, M.D.: Gen Z to AAPI Direct Marketing and Its Effects on Native Hawaiians Samantha Tecson "Stick to the Status Quo" or the "Start of Something New"? Exploring the Highs and Lows of Disney+'s High School Musical: The Musical: The Series Lori Bindig Yousman When the World Finally Sees Us: The Coming Out of the High School Musical Franchise Jennessa Hester Exploring Disney's Portrayal of Jessica Jones and She-Hulk as Complex Women Characters Newly Paul and Gwendelyn S. Nisbett Is Marvel a Transnational Revisionist Actor? Interpreting Change in the MCU Post-Blip "Real World" Pablo A. Sánchez-Rodríguez "This is the Way.": Reimagining Star Wars in the Revisionism of The Mandalorian Raymond Blanton A Great Disturbance... Andor, Diversity, and Representation in the Star Wars Universe John Perlich and Tim Baird Behind My Attraction: A Disney World Autoethnography David Whitt About the Contributors Index
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