Bristling with interdisciplinary insights, this book will open up new dimensions for Dante scholars and attract researchers from a host of other fields, not least philosophy and theology. Alongside critical theory and phenomenology, William Franke also spotlights Dante's striking pertinence to emergent fields in media studies and iconology.
Bristling with interdisciplinary insights, this book will open up new dimensions for Dante scholars and attract researchers from a host of other fields, not least philosophy and theology. Alongside critical theory and phenomenology, William Franke also spotlights Dante's striking pertinence to emergent fields in media studies and iconology.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
William Franke is Professor of Comparative Literature and Religious Studies at Vanderbilt University and Visiting Professor at the University of Navarra. He is a research fellow of the Alexander von Humboldt-Stiftung and has been Fulbright-University of Salzburg Distinguished Chair in Intercultural Theology and Study of Religions. His books include Dante's Interpretive Journey (1996), On What Cannot Be Said (2007), Poetry and Apocalypse (2009), Dante and the Sense of Transgression (2013), A Philosophy of the Unsayable (2014), The Revelation of Imagination: From the Bible and Homer through Virgil and Augustine to Dante (2015), Secular Scriptures: Modern Theological Poetics in the Wake of Dante (2016), A Theology of Literature (2017), On the Universality of What is Not: The Apophatic Turn in Critical Thinking (2020).
Inhaltsangabe
Part I. The Literary Vision 1. Writing as Theophany: The Medium as Metaphor for Immediacy 2. The Presence of Speech in Writing: Speaking as Sparking 3. The Parts of Speech: Mediation and Contingency 4. From Speculative Grammar to Visual Spectacle and Beyond 5. Sense Made Sensuous and Synaesthesia in the Sight and Sound of Writing 6. Infinite Script: Endless Mediation as Metaphor for Divinity Part II. Philosophical Reflections I. Language as Concocted of Letters versus the Mysticism of the Name II. Saussure and the Structuralist Idea of Language as a System of Differences III. Temporalization and Transcendence of Time through Language IV. Transcendental Reflection: Time Synthesis and the Role of the 'I' V. Unmanifest Wholeness of Sense: Language as Image of the Imageless VI. Transcendentality of Language and the Language of the Other.
Part I. The Literary Vision 1. Writing as Theophany: The Medium as Metaphor for Immediacy 2. The Presence of Speech in Writing: Speaking as Sparking 3. The Parts of Speech: Mediation and Contingency 4. From Speculative Grammar to Visual Spectacle and Beyond 5. Sense Made Sensuous and Synaesthesia in the Sight and Sound of Writing 6. Infinite Script: Endless Mediation as Metaphor for Divinity Part II. Philosophical Reflections I. Language as Concocted of Letters versus the Mysticism of the Name II. Saussure and the Structuralist Idea of Language as a System of Differences III. Temporalization and Transcendence of Time through Language IV. Transcendental Reflection: Time Synthesis and the Role of the 'I' V. Unmanifest Wholeness of Sense: Language as Image of the Imageless VI. Transcendentality of Language and the Language of the Other.
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