When a Russian éeacute;migré jazz musician makes his DJ debut on the BBC's airwaves in 1977 with Stevie Wonder's "Sir Duke," no one expects that he, Seva Novgorodsev, would become more popular than just a presenter of forbidden Western music-he would liberate the people of the USSR.
When a Russian éeacute;migré jazz musician makes his DJ debut on the BBC's airwaves in 1977 with Stevie Wonder's "Sir Duke," no one expects that he, Seva Novgorodsev, would become more popular than just a presenter of forbidden Western music-he would liberate the people of the USSR.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Michelle S. Daniel was born in Malaysia and is a Grammy-nominated musician, writer, and podcaster raised on the voices of the BBC. She holds a master's in Russian Studies from The University of Texas at Austin, where she now works as executive producer of The Slavic Connexion and other academic podcasts.
Inhaltsangabe
Preface Introduction: Radio, Rock ‘n’ “Role” Part One: 1917-76 1. The Great Wireless Experiment 2. The Sounds of War 3. Big Waves 4. Birth of the Cool 5. Rocket Around the Clock 6. Between Jazz and a Hard Rock Place 7. After ‘While, Krokodil Part Two: 1976-91 8. Smoke on the Water 9. Round Midnight 10. It’s a Hard Rock Life 11. The Barbarossa of Rock ‘n’ Roll 12. Red Waves on the “Cinderella Hour” 13. (I Can’t Get No) Satisfaction 14. Highway to Hell 15. Welcome to the Jungle 16. It’s the End of the World as We Know It Conclusion Acknowledgements Bibliography
Preface Introduction: Radio, Rock ‘n’ “Role” Part One: 1917-76 1. The Great Wireless Experiment 2. The Sounds of War 3. Big Waves 4. Birth of the Cool 5. Rocket Around the Clock 6. Between Jazz and a Hard Rock Place 7. After ‘While, Krokodil Part Two: 1976-91 8. Smoke on the Water 9. Round Midnight 10. It’s a Hard Rock Life 11. The Barbarossa of Rock ‘n’ Roll 12. Red Waves on the “Cinderella Hour” 13. (I Can’t Get No) Satisfaction 14. Highway to Hell 15. Welcome to the Jungle 16. It’s the End of the World as We Know It Conclusion Acknowledgements Bibliography
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