The 'do-it-yourself' artwork

Participation from Fluxus to New Media
Herausgeber: Dezeuze, Anna

• Gebundenes Buch

Produktbeschreibung

What happens when you touch or enter an artwork instead of looking at it? As artists since the 1950s have increasingly sought to involve viewers more actively in their artworks, this critical anthology sheds light on the nature of these new forms of participation and their historical, social and political significance.

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Produktdetails

• Verlag: Manchester University Press
• Seitenzahl: 328
• Erscheinungstermin: 26. August 2011
• Englisch
• Abmessung: 240mm x 161mm x 22mm
• Gewicht: 675g
• ISBN-13: 9780719081446
• ISBN-10: 0719081440
• Artikelnr.: 28972599

Autorenporträt

Anna Dezeuze is an Honorary Research Fellow in Art History and Visual Studies at the University of Manchester

Inhaltsangabe

Anna Dezeuze: What the do-it-yourself artwork can do for you PART I:
PARTICIPATION IN CONTEXT Anna Dezeuze: "Open work," "do-it-yourself
artwork," and bricolage Judith Rodenbeck: "creative acts of consumption"
or, death in Venice Arnauld Pierre: Instability: the visual/bodily
perception of space in kinetic environments Guy Brett: 3 Pioneers PART II:
PERFORMING PARTICIPATION Catherine Wood: The rules of engagement: Displaced
figuration in Robert Morris's sculpture Frazer Ward: Marina Abramovic:
Approaching zero Amelia Jones: Space, body and the self in the work of
Bruce Nauman Janet Kraynak: Tiravanija's liability Jennifer Gonzalez: the
face and the public: Race, secrecy and digital art practice PART III:
ANALYSING PARTICIPATION Anna Dezeuze: Play, ritual and politics:
Transitional artworks in the 1960s Christian Kravagna: Working on the
community: Models of participatory practice Miwon Kwon: Exchange and
reciprocity in some art of the 1960s and after Claire Bishop: Antagonism
and Relational Aesthetics Beryl Graham: What kind of participative system?
Critical vocabularies from new media art Index