Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - On the 15th June 1903, in the early forenoon, a medical student, surname Redpenny, Christian name unknown and of no importance, sits at work in a doctor's consulting-room. He devils for the doctor by answering his letters, acting as his domestic laboratory assistant, and making himself indispensable generally, in return for unspecified advantages involved by intimate intercourse with a leader of his profession, and amounting to an…mehr
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - On the 15th June 1903, in the early forenoon, a medical student, surname Redpenny, Christian name unknown and of no importance, sits at work in a doctor's consulting-room. He devils for the doctor by answering his letters, acting as his domestic laboratory assistant, and making himself indispensable generally, in return for unspecified advantages involved by intimate intercourse with a leader of his profession, and amounting to an informal apprenticeship and a temporary affiliation. Redpenny is not proud, and will do anything he is asked without reservation of his personal dignity if he is asked in a fellow-creaturely way. He is a wide-open-eyed, ready, credulous, friendly, hasty youth, with his hair and clothes in reluctant transition from the untidy boy to the tidy doctor. Redpenny is interrupted by the entrance of an old serving-woman who has never known the cares, the preoccupations, the responsibilities, jealousies, and anxieties of personal beauty. She has the complexion of a never-washed gypsy, incurable by any detergent; and she has, not a regular beard and moustaches, which could at least be trimmed and waxed into a masculine presentableness, but a whole crop of small beards and moustaches, mostly springing from moles all over her face. She carries a duster and toddles about meddle-somely, spying out dust so diligently that whilst she is flicking off one speck she is already looking elsewhere for another. In conversation she has the same trick, hardly ever looking at the person she is addressing except when she is excited.
George Bernard Shaw (1856 - 1950). Irish playwright, author, political activist. George Bernard Shaw was born in Dublin 1856. He was sent to various schools in Dublin but developed a great dislike for the formalised education systems and widespread use of corporal punishment which was prevalent at the time. After working as a clerk in Dublin for several years, in 1876, Shaw left for London to join his mother who was living there. In London, he began reading extensively and writing his first novels. He also became increasingly devoted to the ideals of socialism. He joined the Fabian society and became one of its leading writers and activists, inspiring and helping activists such as Annie Besant. With fellow Fabians such as Sidney and Beatrice Webb, he helped found the London School of Economics (LSE) after receiving private bequests. In 1898 he married Charlotte Payne Townshend, a fellow Irish Fabian. The marriage was never consummated and they remained childless. In 1906, they moved to Ayot St Lawrence in Hertfordshire, where they lived for the remainder of their lives. By the 1890s, Shaw's plays were being performed in London. The income from his plays enabled him to devote his life to writing. Like his contemporary, Oscar Wilde, Shaw's plays were popular for their biting wit and humour. His plays were in contrast to many Victorian plays which tended to be sentimental, escapist and lacking in satire. Shaw wrote he was influenced by Henrik Ibsen who helped pioneer more realistic modern drama. As a committed Socialist, Shaw infused his plays with his concepts of social justice and issues of class. For example, one of his best known plays Pygmalion (1912-13) (later made into a film and musical My Fair Lady) deals with the class divide which characterised British society at the time. However, to the disappointment of Shaw, his plays were mainly enjoyed as entertainment, rather than political commentary. As well as plays, Shaw wrote novels, short stories and was a noted literary critic. In particular, he was influential in criticising the Victorian preference for performing edited Shakespeare plays. By the start of the First World War, Shaw was a well-known playwright, so his strident opposition to the First World War gained him much criticism. He felt governments had coerced the population into needless wars. In Heartbreak House (1919) he said: "It is said that every people has the Government it deserves. It is more to the point that every Government has the electorate it deserves; for the orators of the front bench can edify or debauch an ignorant electorate at will. Thus our democracy moves in a vicious circle of reciprocal worthiness and unworthiness."
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