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![The Double in Daphne Maurier's]( "The Double in Daphne Maurier's")
The Double in Daphne Maurier's "Rebecca" and Angela Carter's "The Magic Toyshop"15,95 €![The Function of Space in Victorian Gothic Literature. Use of spatiality by Oscar Wilde and Robert L. Stevenson.]( "The Function of Space in Victorian Gothic Literature. Use of spatiality by Oscar Wilde and Robert L. Stevenson.")
The Function of Space in Victorian Gothic Literature. Use of spatiality by Oscar Wilde and Robert L. Stevenson.17,95 €![Analysis of the Double in Stevenson's]( "Analysis of the Double in Stevenson's")
Analysis of the Double in Stevenson's "The Strange Case of Dr. Jekyll and Mr. Hyde"17,95 €![The Double motif in literature using the example of Stevenson's]( "The Double motif in literature using the example of Stevenson's")
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Wilkie Collins' "The woman in white": Psychoanalytische Figurendeutung47,95 €![Die Charakterdarstellung in]( "Die Charakterdarstellung in")
Die Charakterdarstellung in "The Woman in White" von Wilkie Collins. Ist die Ausführung der Figuren für das Handlungsgeschehen ausschlaggebend?17,95 €
Robert Louis Stevenson, Wilkie Collins and Daphne du Maurier are authors of particular importance to the literature of the double, having produced, among other works, The Strange Case of Dr. Jekyll and Mr. Hyde, The Woman in White and Rebecca. Each also rejected the prevailing social order of his or her time, a factor that plays an important role in determining how the double is represented and treated.
The literary theory of romance narrative structure follows the hero's journey through a dark 'descent' to a happier 'ascent', but this journey is shown to apply to a largely masculine identity. On the other hand, the rise of the female persona and her relation to the double is a progression that is clearly charted through the works of Stevenson, Collins and du Maurier. It shows an extraordinary alteration in the structure of traditional romance narrative, and leads to an exploration of new ways in which the imprisoned female character may be able to free herself and become whole.
The literary theory of romance narrative structure follows the hero's journey through a dark 'descent' to a happier 'ascent', but this journey is shown to apply to a largely masculine identity. On the other hand, the rise of the female persona and her relation to the double is a progression that is clearly charted through the works of Stevenson, Collins and du Maurier. It shows an extraordinary alteration in the structure of traditional romance narrative, and leads to an exploration of new ways in which the imprisoned female character may be able to free herself and become whole.