John Lennard (University of Notre Dame ), Mary Luckhurst (, Playwright, and Lecturer in Modern Drama at the U
The Drama Handbook A Guide to Reading Plays (Paperback)
John Lennard (University of Notre Dame ), Mary Luckhurst (, Playwright, and Lecturer in Modern Drama at the U
The Drama Handbook A Guide to Reading Plays (Paperback)
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A compact, wide-ranging, and accessible guide to reading plays, The Drama Handbook stresses the importance of understanding performance conventions and production processes through history, and offers clearly defined and presented critical vocabularies.
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A compact, wide-ranging, and accessible guide to reading plays, The Drama Handbook stresses the importance of understanding performance conventions and production processes through history, and offers clearly defined and presented critical vocabularies.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press
- Seitenzahl: 430
- Erscheinungstermin: 31. Januar 2002
- Englisch
- Abmessung: 216mm x 140mm x 24mm
- Gewicht: 546g
- ISBN-13: 9780198700708
- ISBN-10: 0198700709
- Artikelnr.: 21246911
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Oxford University Press
- Seitenzahl: 430
- Erscheinungstermin: 31. Januar 2002
- Englisch
- Abmessung: 216mm x 140mm x 24mm
- Gewicht: 546g
- ISBN-13: 9780198700708
- ISBN-10: 0198700709
- Artikelnr.: 21246911
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
John Lennard teaches at the Universities of Cambridge and Notre Dame, and for the British American Drama Academy in London. He is the author of 'But I Digress' (1991), the best-selling 'The Poetry Handbook' (1996), and an on-line guide, 'Reading Contemporary Poetry' (2001). Mary Luckhurst is Lecturer in Modern Drama at the University of York. She is an award-winning playwright, and has worked as a director. She has edited 'The Creative Writing Handbook', 'On Directing' (2001), and 'On Acting' (forthcoming 2002) for Faber and Faber.
* Introduction
* I. Performance, notation, text
* 1: Performance: process and the ephemeral
* 2: Notation: documentation, layout, and the preserved
* 3: Text I: editing and reception
* 4: Text II: the process of reading
* II. Reading Structures
* 5: What is genre?
* 6: Classical genres: tragedy, comedy, satyr-playes, epic
* 7: Religious genres: the liturgy, Mysteries, Moralities
* 8: Renaissance genres: Commedia dell'arte, tragicomedy, masque, opera
* 9: Eighteenth- and nineteenth-century genres: burlesque, sentimental
and gothic drama, pantomime, melodrama, music-hall, farce, well-made
plays
* 10: Social genres: political theatre, agit-prop, documentary and epic
drama
* 11: The impact of technology: light, sound, radio- and
television-plays, film-genres
* III. Defining architectures
* 12: The study
* 13: Rehearsal and administrative space
* 14: The stage and auditorium
* 15: The scriptorium, printshop, publishing house, bookshop, and
library
* IV. Personnel in process
* 16: Playwrights
* 17: Directors
* 18: Actors
* 19: Dramaturgs and literary managers
* 20: Designers
* 21: Production staff, stage-crew, and front-of-house
* 22: Censors
* 23: Audiences
* 24: Critics
* 25: Editors
* 26: Teachers and readers
* V. Theatre today
* 27: The playtext since the 1950s
* 28: Challenges to the playtext
* 29: Alternatives to the playtext
* VI. Exam conditions
* 30: Practical criticism
* 31: Period and special papers
* 32: Sample answers
* Glossary
* Index of persons
* Index of plays
* Bibliography and further reading
* I. Performance, notation, text
* 1: Performance: process and the ephemeral
* 2: Notation: documentation, layout, and the preserved
* 3: Text I: editing and reception
* 4: Text II: the process of reading
* II. Reading Structures
* 5: What is genre?
* 6: Classical genres: tragedy, comedy, satyr-playes, epic
* 7: Religious genres: the liturgy, Mysteries, Moralities
* 8: Renaissance genres: Commedia dell'arte, tragicomedy, masque, opera
* 9: Eighteenth- and nineteenth-century genres: burlesque, sentimental
and gothic drama, pantomime, melodrama, music-hall, farce, well-made
plays
* 10: Social genres: political theatre, agit-prop, documentary and epic
drama
* 11: The impact of technology: light, sound, radio- and
television-plays, film-genres
* III. Defining architectures
* 12: The study
* 13: Rehearsal and administrative space
* 14: The stage and auditorium
* 15: The scriptorium, printshop, publishing house, bookshop, and
library
* IV. Personnel in process
* 16: Playwrights
* 17: Directors
* 18: Actors
* 19: Dramaturgs and literary managers
* 20: Designers
* 21: Production staff, stage-crew, and front-of-house
* 22: Censors
* 23: Audiences
* 24: Critics
* 25: Editors
* 26: Teachers and readers
* V. Theatre today
* 27: The playtext since the 1950s
* 28: Challenges to the playtext
* 29: Alternatives to the playtext
* VI. Exam conditions
* 30: Practical criticism
* 31: Period and special papers
* 32: Sample answers
* Glossary
* Index of persons
* Index of plays
* Bibliography and further reading
* Introduction
* I. Performance, notation, text
* 1: Performance: process and the ephemeral
* 2: Notation: documentation, layout, and the preserved
* 3: Text I: editing and reception
* 4: Text II: the process of reading
* II. Reading Structures
* 5: What is genre?
* 6: Classical genres: tragedy, comedy, satyr-playes, epic
* 7: Religious genres: the liturgy, Mysteries, Moralities
* 8: Renaissance genres: Commedia dell'arte, tragicomedy, masque, opera
* 9: Eighteenth- and nineteenth-century genres: burlesque, sentimental
and gothic drama, pantomime, melodrama, music-hall, farce, well-made
plays
* 10: Social genres: political theatre, agit-prop, documentary and epic
drama
* 11: The impact of technology: light, sound, radio- and
television-plays, film-genres
* III. Defining architectures
* 12: The study
* 13: Rehearsal and administrative space
* 14: The stage and auditorium
* 15: The scriptorium, printshop, publishing house, bookshop, and
library
* IV. Personnel in process
* 16: Playwrights
* 17: Directors
* 18: Actors
* 19: Dramaturgs and literary managers
* 20: Designers
* 21: Production staff, stage-crew, and front-of-house
* 22: Censors
* 23: Audiences
* 24: Critics
* 25: Editors
* 26: Teachers and readers
* V. Theatre today
* 27: The playtext since the 1950s
* 28: Challenges to the playtext
* 29: Alternatives to the playtext
* VI. Exam conditions
* 30: Practical criticism
* 31: Period and special papers
* 32: Sample answers
* Glossary
* Index of persons
* Index of plays
* Bibliography and further reading
* I. Performance, notation, text
* 1: Performance: process and the ephemeral
* 2: Notation: documentation, layout, and the preserved
* 3: Text I: editing and reception
* 4: Text II: the process of reading
* II. Reading Structures
* 5: What is genre?
* 6: Classical genres: tragedy, comedy, satyr-playes, epic
* 7: Religious genres: the liturgy, Mysteries, Moralities
* 8: Renaissance genres: Commedia dell'arte, tragicomedy, masque, opera
* 9: Eighteenth- and nineteenth-century genres: burlesque, sentimental
and gothic drama, pantomime, melodrama, music-hall, farce, well-made
plays
* 10: Social genres: political theatre, agit-prop, documentary and epic
drama
* 11: The impact of technology: light, sound, radio- and
television-plays, film-genres
* III. Defining architectures
* 12: The study
* 13: Rehearsal and administrative space
* 14: The stage and auditorium
* 15: The scriptorium, printshop, publishing house, bookshop, and
library
* IV. Personnel in process
* 16: Playwrights
* 17: Directors
* 18: Actors
* 19: Dramaturgs and literary managers
* 20: Designers
* 21: Production staff, stage-crew, and front-of-house
* 22: Censors
* 23: Audiences
* 24: Critics
* 25: Editors
* 26: Teachers and readers
* V. Theatre today
* 27: The playtext since the 1950s
* 28: Challenges to the playtext
* 29: Alternatives to the playtext
* VI. Exam conditions
* 30: Practical criticism
* 31: Period and special papers
* 32: Sample answers
* Glossary
* Index of persons
* Index of plays
* Bibliography and further reading