The first book-length study of complaint in Shakespearean drama, arguing that poetic forms of complaint--expressions of discontent and unhappiness--operate as sites of thought about human flourishing; and that Shakespearean configurations of these forms of complaint in theatrical scenes model new ways of thinking about ethical subjectivity.
The first book-length study of complaint in Shakespearean drama, arguing that poetic forms of complaint--expressions of discontent and unhappiness--operate as sites of thought about human flourishing; and that Shakespearean configurations of these forms of complaint in theatrical scenes model new ways of thinking about ethical subjectivity.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Emily Shortslef is Assistant Professor of English at the University of Kentucky. Her research focuses on Shakespeare, early modern drama, and the intersection of ethics and poetics in early modern writing. She has published in journals such as English Literary History and the Journal for Early Modern Cultural Studies, and has contributed essays about Shakespeare, complaint, and ethics to a number of edited collections.
Inhaltsangabe
* Introduction: Scenes of Complaint * 1: Signs of Life: Existential Complaint and the Creaturely Ethics of Complaining * 2: Ethical Demands: Judicial Complaint and the Call of Conscience * 3: 'Me and My Cause': Spectral Complaints and Sublime Motives * 4: Lamentable Objects: Good Audiences and the Art of Female Complaint * 5: 'Nobody, I myself': Deathbed Complaint and the Authority of Happiness Scripts
* Introduction: Scenes of Complaint * 1: Signs of Life: Existential Complaint and the Creaturely Ethics of Complaining * 2: Ethical Demands: Judicial Complaint and the Call of Conscience * 3: 'Me and My Cause': Spectral Complaints and Sublime Motives * 4: Lamentable Objects: Good Audiences and the Art of Female Complaint * 5: 'Nobody, I myself': Deathbed Complaint and the Authority of Happiness Scripts
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