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This text challenges the familiar binary oppositions that have defined the field - black/white, imported/indigenous, purist/hybrid, and text/performance. and shows how the contributions of America and African-American influences complicate oppositions between European and African. It also highlights the contribution of women, South Asians and other minorities, and concludes with a discussion of the post-apartheid character of South Africa at the end of the 20th century.
The Drama of South Africa comprehensively chronicles the development of dramatic writing and performance from 1910, when
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Produktbeschreibung
This text challenges the familiar binary oppositions that have defined the field - black/white, imported/indigenous, purist/hybrid, and text/performance. and shows how the contributions of America and African-American influences complicate oppositions between European and African. It also highlights the contribution of women, South Asians and other minorities, and concludes with a discussion of the post-apartheid character of South Africa at the end of the 20th century.
The Drama of South Africa comprehensively chronicles the development of dramatic writing and performance from 1910, when the country came into official existence, to the advent of post-apartheid. Eminent theatre historian Loren Kruger discusses well-known figures, as well as lesser-known performers and directors who have enriched the theatre of South Africa. She also highlights the contribution of women and other minorities, concluding with a discussion of the post-apartheid character of South Africa at the end of the twentieth century.
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Autorenporträt
Loren Kruger is Associate Professor of English, Comparative Literature, and African and African-American Studies at the University of Chicago. She is the author of The National Stage and currently editor of Theatre Journal.