A note on editions Preface 1. Literature as history: with some questions about 'historical imagination' 2. Dramatist as jingoist: The Massacre at Paris 3. Dramatist as realist: the Jew of Malta 4. Machiavelli and the crisis of Renaissance political consciousness 5. Providence and policy in Richard III 6. Providence and history in Elizabethan thought 7. History without morality: Edward II 8. Shakespearean history: critique of 'Elizabethan policy' 9. Shakespeare's political agnosticism: Richard II 10. Supernature and demonism in Elizabethan thought 11. The new wine and the old bottles: Doctor Faustus 12. Marlowe and the Calvinist doctrine of reprobation 13. 'An unknown fear': The Tragedie of Macbeth 14. Macbeth and the theology of evil 15. Artist and ethos Appendices Notes Index.
A note on editions Preface 1. Literature as history: with some questions about 'historical imagination' 2. Dramatist as jingoist: The Massacre at Paris 3. Dramatist as realist: the Jew of Malta 4. Machiavelli and the crisis of Renaissance political consciousness 5. Providence and policy in Richard III 6. Providence and history in Elizabethan thought 7. History without morality: Edward II 8. Shakespearean history: critique of 'Elizabethan policy' 9. Shakespeare's political agnosticism: Richard II 10. Supernature and demonism in Elizabethan thought 11. The new wine and the old bottles: Doctor Faustus 12. Marlowe and the Calvinist doctrine of reprobation 13. 'An unknown fear': The Tragedie of Macbeth 14. Macbeth and the theology of evil 15. Artist and ethos Appendices Notes Index.
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