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Computer engineer Otaku (the Japanese term for "geek") is an average young man, dressed in unstylish clothes and dorky glasses. But as luck would have it, he encounters a pretty young woman on a commuter train and saves her from a lecherous molester, falling in love with her at first sight. A few days later he receives a thank-you message from the woman along with a set of Hermes teacups. Having never had a girlfriend or received a gift from a girl in his life, Otaku seeks out his pals on his BBS website for advice using his codename Train_Man (Densha Otoko): "How should I ask her out?" Deeply…mehr

Produktbeschreibung
Computer engineer Otaku (the Japanese term for "geek") is an average young man, dressed in unstylish clothes and dorky glasses. But as luck would have it, he encounters a pretty young woman on a commuter train and saves her from a lecherous molester, falling in love with her at first sight. A few days later he receives a thank-you message from the woman along with a set of Hermes teacups. Having never had a girlfriend or received a gift from a girl in his life, Otaku seeks out his pals on his BBS website for advice using his codename Train_Man (Densha Otoko): "How should I ask her out?" Deeply interested in Train Man's first love, his BBS pals eagerly supply him with advice. Encouraged by their support, Train_Man undergoes a total makeover for his first-ever date with "Hermess." Little does he know that he is about to ignite an Internet phenomenon...
Autorenporträt
Kazuo Umezz started drawing professionally in the 1950s and is considered the most influential horror manga artist ever. His many horror and sci-fi/horror works include Cat Eyed Boy (1967-1968), Orochi, The Drifting Classroom (1972-1974), Ultraman (a manga adaptation of the TV series), Senrei (Baptism), My Name is Shingo, The Left Hand of God/Right Hand of the Devil, and Fourteen. His popular gag series Makoto-Chan (1976) and Again prove that Umezz is also an accomplished humor cartoonist. Umezz's weird style, incredible ideas and sometimes terrifying imagery have made him a fixture of Japanese pop culture, and his work has been adapted into movies, anime and collectibles.