The Duchess of Malfi - Webster, John
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The Duchess of Malfi is one of the major tragedies of the early modern period and remains popular in the theatre as well as in the classroom. The story of the Duchess's secret marriage and the cruel revenge of her brothers has fascinated and appalled audiences for centuries. This new Arden edition offers readers a comprehensive, illustrated introduction to the play's historical, critical and performance history. The text is modernised and edited to the highest scholarly standards, with textual notes and commentary notes on the same page for ease of reference. This is the lead title in the…mehr

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Produktbeschreibung
The Duchess of Malfi is one of the major tragedies of the early modern period and remains popular in the theatre as well as in the classroom. The story of the Duchess's secret marriage and the cruel revenge of her brothers has fascinated and appalled audiences for centuries. This new Arden edition offers readers a comprehensive, illustrated introduction to the play's historical, critical and performance history. The text is modernised and edited to the highest scholarly standards, with textual notes and commentary notes on the same page for ease of reference. This is the lead title in the launch of The Arden Early Modern Drama Series, a series which offers all the depth and quality of thinking long associated with the Arden. The edition will be valued by students, teachers and theatre professionals.
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Autorenporträt
John Webster was born in c. 1580 to a London coachmaker, and appears to have studied law at the Middle Temple. Although he is recorded as the author of several other works, including a history play, Lady Jane, his only surviving works are Westward Ho! and Northward Ho! (1604-05), written in collaboration with Thomas Dekker, the comedy The Devil's Law Case (1620), and two tragic masterpieces, The White Devil (1612) and The Duchess of Malfi (1614).
Rezensionen
'I found it more exciting than I should probably admit to at seeing the Shakespeare-rich layer of annotation underpinning the text on the page of a play - The Duchess of Malfi - that simply hasn't been treated in that way before, especially in terms of introductory matter.' Shakespeare Bookshop Newsletter (December 2009)