The Duchess of Padua (Esprios Classics) - Wilde, Oscar
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The Duchess of Padua is a play by Oscar Wilde. It is a five-act tragedy set in Padua and written in blank verse. It was written for the actress Mary Anderson in early 1883 while in Paris. After she turned it down, it was abandoned until its first performance at the Broadway Theatre in New York City under the title Guido Ferranti on 26 January 1891, where it ran for three weeks. It has been rarely revived or studied. Wilde first mentioned the possibility of writing a five-act blank verse tragedy in the Biograph in 1880, originally to be entitled The Duchess of Florence. Wilde was strongly…mehr

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Produktbeschreibung
The Duchess of Padua is a play by Oscar Wilde. It is a five-act tragedy set in Padua and written in blank verse. It was written for the actress Mary Anderson in early 1883 while in Paris. After she turned it down, it was abandoned until its first performance at the Broadway Theatre in New York City under the title Guido Ferranti on 26 January 1891, where it ran for three weeks. It has been rarely revived or studied. Wilde first mentioned the possibility of writing a five-act blank verse tragedy in the Biograph in 1880, originally to be entitled The Duchess of Florence. Wilde was strongly influenced by Lucrezia Borgia (1833) and Angelo, Tyrant of Padua (1835), two Italian-set historical plays by Victor Hugo.
Autorenporträt
In contrast to much theatre of the time, The Importance of Being Earnest's light plot does not tackle serious social and political issues, something of which contemporary reviewers were wary. Though unsure of Wilde's seriousness as a dramatist, they recognized the play's cleverness, humour and popularity with audiences. Bernard Shaw, for example, reviewed the play in the Saturday Review, arguing that comedy should touch as well as amuse, "I go to the theatre to be moved to laughter." Later in a letter he said, the play, though "extremely funny," was Wilde's "first really heartless one." In The World, William Archer wrote that he had enjoyed watching the play but found it to be empty of meaning, "What can a poor critic do with a play which raises no principle, whether of art or morals, creates its own canons and conventions, and is nothing but an absolutely wilful expression of an irrepressibly witty personality?"
Oscar Wilde