This volume updates current assumptions about the early modern English sonnet and its reception and inclusion in poetic collections. It deals both with major (Shakespeare, Sidney, Spenser) and minor (Harvey, Barnes) sonneteers, and includes the first modern edition of a 1603 printed miscellany, The Muses Garland.
This volume updates current assumptions about the early modern English sonnet and its reception and inclusion in poetic collections. It deals both with major (Shakespeare, Sidney, Spenser) and minor (Harvey, Barnes) sonneteers, and includes the first modern edition of a 1603 printed miscellany, The Muses Garland.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Rémi Vuillemin is Senior Lecturer in English language and literature at Université de Strasbourg, France. Laetitia Sansonetti is Senior Lecturer in English literature and translation studies at Université Paris Nanterre, France. Enrica Zanin is Senior Lecturer in comparative early modern literature at Université de Strasbourg, France.
Inhaltsangabe
Introduction Laetitia Sansonetti, Rémi Vuillemin, Enrica Zanin Shaping the sonnet, from Italy and France to England 1 English Petrarchism: From commentary on poetry to poetry as commentary William J. Kennedy 2 Early modern theories of the sonnet: Accounts of the quatorzain in Italy, France and England in the second half of the sixteenth century Carlo Alberto Girotto, Jean-Charles Monferran, Rémi Vuillemin Performing the English sonnet 3 Sonnet-mongers on the early modern English stage Guillaume Coatalen 4 In and out: Shakespeare's shifting sonnets. From Love's Labour's Lost to The Passionate Pilgrim Sophie Chiari Placing the sonnet: Sonnets isolated or sequenced 5 'Small parcelles': Unsequenced sonnets in the sixteenth century Chris Stamatakis 6 ' ... and sweetly nectarize this bitter gall': Gabriel Harvey's sonnet therapy Elisabeth Chaghafi 7 Barnabe Barnes's sonnet sequences: Moral conversion and prodigal authorship Rémi Vuillemin Editing the sonnet 8 The Muses Garland (1603): Fragment of a printed verse miscellany Hugh Gazzard 9 Sonnet sequence as sound continuum: How we read Shakes-speares Sonnets Andrew Eastman
Introduction Laetitia Sansonetti, Rémi Vuillemin, Enrica Zanin Shaping the sonnet, from Italy and France to England 1 English Petrarchism: From commentary on poetry to poetry as commentary William J. Kennedy 2 Early modern theories of the sonnet: Accounts of the quatorzain in Italy, France and England in the second half of the sixteenth century Carlo Alberto Girotto, Jean-Charles Monferran, Rémi Vuillemin Performing the English sonnet 3 Sonnet-mongers on the early modern English stage Guillaume Coatalen 4 In and out: Shakespeare's shifting sonnets. From Love's Labour's Lost to The Passionate Pilgrim Sophie Chiari Placing the sonnet: Sonnets isolated or sequenced 5 'Small parcelles': Unsequenced sonnets in the sixteenth century Chris Stamatakis 6 ' ... and sweetly nectarize this bitter gall': Gabriel Harvey's sonnet therapy Elisabeth Chaghafi 7 Barnabe Barnes's sonnet sequences: Moral conversion and prodigal authorship Rémi Vuillemin Editing the sonnet 8 The Muses Garland (1603): Fragment of a printed verse miscellany Hugh Gazzard 9 Sonnet sequence as sound continuum: How we read Shakes-speares Sonnets Andrew Eastman
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