Preface; 1. (a) Henry Adams and the search for unity (b) Irving Babbitt:
the one and the many (c) George Santayana: the marriage of philosophy and
poetry (d) Laforgue, Schopenhauer and the poetry of Eliot's youth; 2.
Bergson Resartus and T. S. Eliot's manuscript (a) Analysis of Eliot's
manuscript on Bergson (b) Significance of Eliot's manuscript; 3. Philosophy
and Laughter (a) Schopenhauer, Laforgue and Bergson, (b) Eliot's Paris
poems: 'Prufrock' and 'Portrait'; 4. Irony as a Kantian meditation: Eliot's
manuscripts on Kant (a) Analysis of Eliot's three manuscripts on Kant (b)
Significance of Eliot's engagement with Kant; 5. Eliot, Bradley and the
irony of common sense (a) Bradley's Philosophical Context (b) Eliot's
doctoral dissertation (c) The objective correlative (d) Eliot's early verse
and Bradley; 6. The divorce from old barren reason: from philosophy to
aesthetics (a) Tradition and impersonality (b) The emotions of art (c)
Impersonality and the bourgeois ego; 7. The struggle against realism (a)
Realism, Romanticism and Classicism (b) Realism refined (c) Language and
reality; 8. Irony as form: 'The Waste Land' (a) Tiresias in literary
tradition (b) Tiresias in 'The Waste Land'.
