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Theodor Dumitrescu treats the matter of musical relations between England and continental Europe during the first decades of the Tudor reign (c.1485-1530), by exploring a variety of historical, social, biographical, repertorial and intellectual links. In the first major study devoted to this topic, a wealth of documentary references scattered in primary and secondary sources receives a long-awaited collation and investigation, revealing the central role of the first Tudor monarchs in internationalizing the royal musical establishment and setting an example of considerable import for more widespread English artistic developments.…mehr

Produktbeschreibung
Theodor Dumitrescu treats the matter of musical relations between England and continental Europe during the first decades of the Tudor reign (c.1485-1530), by exploring a variety of historical, social, biographical, repertorial and intellectual links. In the first major study devoted to this topic, a wealth of documentary references scattered in primary and secondary sources receives a long-awaited collation and investigation, revealing the central role of the first Tudor monarchs in internationalizing the royal musical establishment and setting an example of considerable import for more widespread English artistic developments.
Autorenporträt
Theodor Dumitrescu received his doctorate in musicology at the University of Oxford in 2004 with a thesis on Anglo-Continental Musical Relations, c. 1485-1530. After holding a research fellowship at the Centre d'ÿtudes Supérieures de la Renaissance (Tours), he was appointed researcher in musicology at Utrecht University in the Netherlands in 2006, where he directs the CMME Project for electronic publication of early music editions. His research interests cover many aspects of analysis, theory, and history in European music of the fifteenth and sixteenth centuries.