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Produktbild: The Eclipse and Recovery of Beauty

The Eclipse and Recovery of Beauty A Lonergan Approach

Aus der Reihe Lonergan Studies

69,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

14.02.2014

Verlag

University of Toronto Press

Seitenzahl

256

Maße (L/B/H)

23,4/16,3/2,4 cm

Gewicht

549 g

Sprache

Englisch

ISBN

978-1-4426-4711-4

Beschreibung

Rezension

"...Dadosky’s effort to work out a philosophy of beauty on the basis of Lonergan’s thought, to enter into dialogue with significant figures, and to re-establish the transcendental status of beauty in a contemporary context amounts to an original and momentous achievement."

- Paul St. Amour (American Catholic Philosophical Quarterly)

"Within the boundaries of the wider Lonergan project, Dadosky’s argument is nuanced, differentiated, and, so far as I can discern, beyond reproach...students of theological aesthetics in particular will profit from the expositions and arguments he offers therein. The Eclipse and Recovery of Beauty is harmonious, well-integrated, and very clear. That is, in the specific terms Dadosky designates, it is a beautiful piece of work."

- Reid B. Locklin (Toronto Journal of Theology)

"John Dadosky has written a very good book on an overlooked, but important, topic... Using the tools of Lonergan’s generalized empirical method, Dadosky has made the case for the objectivity of aesthetic judgments and by extension for the recovery of beauty as a transcendental... The result is a beautifully written book that’s hints at much more to come from this author."

- Michael Shute (Studies in Religion)

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

14.02.2014

Verlag

University of Toronto Press

Seitenzahl

256

Maße (L/B/H)

23,4/16,3/2,4 cm

Gewicht

549 g

Sprache

Englisch

ISBN

978-1-4426-4711-4

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Eclipse and Recovery of Beauty

  • Preface

    Introduction

    1 The Eclipse of Beauty and Its Recovery



    • 1.1 Introduction

    • 1.2 The Achievement of Thomistic Metaphysics and its Demise

      • 1.2.1 A Post-Kantian Transposition of Thomistic Metaphysics


    • 1.3 Considerations for a Contemporary Philosophy of Beauty

    • 1.4 Lonergan’s Philosophy and Hermeneutics: A Brief Overview

    • 1.5 Conclusion

      • 2 Every Being is Beautiful



      • 2.1 Beauty as a Transcendental Property of Being

        • 2.1.1 The Development of Transcendental Beauty

        • 2.1.2 Aquinas and Transcendental Beauty?

        • 2.1.3 The Fourth Period


      • 2.2 Beauty: A Thomistic Interpretation

        • 2.2.1 The Conditions of Beauty

        • 2.2.2 Further Questions

        • 2.2.3 Perception of Beauty

        • 2.2.4 Beauty and Art


      • 2.3. Beauty: A Lonergan Approach?

        • 3 Violence and the Loss of Beauty



        • 3.1 Displacement and Distortion of Beauty

        • 3.2 Nietzsche’s Aesthetics

        • 3.3 Girard’s critique of Nietzsche

          • 3.3.1 Dionysus and the Crucified

          • 3.3.2 Culpability in the Collective Murder

          • 3.3.3 Dionysus as a Mimicked Distortion of Christ


        • 3.4 A Re-orientation of Nietzchean Aesthetics?

        • 3.5 Conclusion

          • 4 Recovering Beauty in the Subject



          • 4.1 Introduction

          • 4.2 Kierkegaard’s Spheres of Existence

          • 4.3 Balthasar’s Critique: A Closer Examination

          • 4.4 The Existential Spheres and Intentional Consciousness

          • 4.5 Conclusion


          5 The End of Aesthetic Experience?



          • 5.1 Introduction

          • 5.2 The Loss of Aesthetic Experience

            • 5.2.1 Major Post-Kantian Approaches to Aesthetic Experience

            • 5.2.2 Shusterman: "The End of Aesthetic Experience"


          • 5.3 Lonergan and Aesthetic Experience

            • 5.3.1 The Unrestricted Desire for Beauty

            • 5.3.2 Freedom from Instrumentality

            • 5.3.3 Elemental Meaning

            • 5.3.4 Ulterior Significance and ‘Surplus of Meaning’

            • 5.3.5 Transformative and Distortive aspects of Aesthetic Experience

            • 5.3.6 Lonergan and Shusterman


          • 5.4 The Sensible and Intellectual Perception and Apprehension of Beauty

          • 5.5 Aesthetic Experience and the Sublime

            • 5.1 Brief History of the Sublime

            • 5.2 The Sublime as Experienced


          • 5.6 Conclusion

            • 6 The Intelligibility of Beauty



            • 6.1 Introduction

            • 6.2 Beauty and Architecture: The example of Christopher Alexander

            • 6.2.1Alexander’s 15 principles

            • 6.2.2 Alexander’s principles and Aquinas

            • 6.3 The Intelligibility of Beauty in Lonergan’s Theory of Consciousness

            • 6.4 Conclusion


            7 Judgments of Beauty



            • 7.1 Introduction

            • 7.2 Aesthetic Judgments in Kant

              • 7.2.1 Four Moments of Aesthetic Judgments


            • 7.3 Lonergan and Judgment

              • 7.3.1 ‘Value’ in Method in Theology


            • 7.4 Judging Beauty for Lonergan

              • 7.4.1 A Lonergan Appropriation of Kant’s Four Moments

              • 7.4.2 Beauty and the Preferential Scales of Values

              • 7.4.3 Three Moments of Beauty

              • 7.4.4 Is Beauty distinct from Goodness?


            • 7.5 Concluding Comments

              • 8 Creating, Contemplating and Loving Beauty



              • 8.1 Introduction

              • 8.2 The Aesthetic/Dramatic Operator

              • 8.3 Philosophy of Art

                • 8.3.1Aesthetic and Artistic patterns of experience

                • 8.3.2 Art as Meaning

                • 8.3.3Developing Lonergan on Art

                • 8.3.4 Summing up: Lonergan on Art


              • 8.4 Life and Beauty

                • 8.4.1Ethical living


              • 8.5 Contemplating Beauty

              • 8.6 Loving Beauty

              • 8.7 Beauty and God

                • 7.1 From Aesthetic Experience to the Beauty of God


              • 8.8 Conclusion

                • 9 Philosophy for a Theology of Beauty



                • 9.1 Introduction

                • 9.2 A Summary and Overview

                • 9.3 Towards a Theology of Beauty

                • 9.4 Conclusion