Deeply engaged with the work of Aquinas, Kierkegaard, Nietzsche, and Kant, among others, The Eclipse and Recovery of Beauty will be essential reading for those interested in contemporary philosophy and theology.
Deeply engaged with the work of Aquinas, Kierkegaard, Nietzsche, and Kant, among others, The Eclipse and Recovery of Beauty will be essential reading for those interested in contemporary philosophy and theology.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Preface Introduction 1 The Eclipse of Beauty and Its Recovery 1. 1.1 Introduction 2. 1.2 The Achievement of Thomistic Metaphysics and its Demise * 1.2.1 A Post-Kantian Transposition of Thomistic Metaphysics 3. 1.3 Considerations for a Contemporary Philosophy of Beauty 4. 1.4 Lonergan’s Philosophy and Hermeneutics: A Brief Overview 5. 1.5 Conclusion 2 Every Being is Beautiful 6. 2.1 Beauty as a Transcendental Property of Being * 2.1.1 The Development of Transcendental Beauty * 2.1.2 Aquinas and Transcendental Beauty? * 2.1.3 The Fourth Period 7. 2.2 Beauty: A Thomistic Interpretation * 2.2.1 The Conditions of Beauty * 2.2.2 Further Questions * 2.2.3 Perception of Beauty * 2.2.4 Beauty and Art 8. 2.3. Beauty: A Lonergan Approach? 3 Violence and the Loss of Beauty 9. 3.1 Displacement and Distortion of Beauty 10. 3.2 Nietzsche’s Aesthetics 11. 3.3 Girard’s critique of Nietzsche * 3.3.1 Dionysus and the Crucified * 3.3.2 Culpability in the Collective Murder * 3.3.3 Dionysus as a Mimicked Distortion of Christ 12. 3.4 A Re-orientation of Nietzchean Aesthetics? 13. 3.5 Conclusion 4 Recovering Beauty in the Subject * 4.1 Introduction * 4.2 Kierkegaard’s Spheres of Existence * 4.3 Balthasar’s Critique: A Closer Examination * 4.4 The Existential Spheres and Intentional Consciousness * 4.5 Conclusion 5 The End of Aesthetic Experience? 14. 5.1 Introduction 15. 5.2 The Loss of Aesthetic Experience * 5.2.1 Major Post-Kantian Approaches to Aesthetic Experience * 5.2.2 Shusterman: "The End of Aesthetic Experience" 16. 5.3 Lonergan and Aesthetic Experience * 5.3.1 The Unrestricted Desire for Beauty * 5.3.2 Freedom from Instrumentality * 5.3.3 Elemental Meaning * 5.3.4 Ulterior Significance and ‘Surplus of Meaning’ * 5.3.5 Transformative and Distortive aspects of Aesthetic Experience * 5.3.6 Lonergan and Shusterman 17. 5.4 The Sensible and Intellectual Perception and Apprehension of Beauty 18. 5.5 Aesthetic Experience and the Sublime * 5.1 Brief History of the Sublime * 5.2 The Sublime as Experienced 19. 5.6 Conclusion 6 The Intelligibility of Beauty * 6.1 Introduction * 6.2 Beauty and Architecture: The example of Christopher Alexander * 6.2.1Alexander’s 15 principles * 6.2.2 Alexander’s principles and Aquinas * 6.3 The Intelligibility of Beauty in Lonergan’s Theory of Consciousness * 6.4 Conclusion 7 Judgments of Beauty 20. 7.1 Introduction 21. 7.2 Aesthetic Judgments in Kant * 7.2.1 Four Moments of Aesthetic Judgments 22. 7.3 Lonergan and Judgment * 7.3.1 ‘Value’ in Method in Theology 23. 7.4 Judging Beauty for Lonergan * 7.4.1 A Lonergan Appropriation of Kant’s Four Moments * 7.4.2 Beauty and the Preferential Scales of Values * 7.4.3 Three Moments of Beauty * 7.4.4 Is Beauty distinct from Goodness? 24. 7.5 Concluding Comments 8 Creating, Contemplating and Loving Beauty 25. 8.1 Introduction 26. 8.2 The Aesthetic/Dramatic Operator 27. 8.3 Philosophy of Art * 8.3.1Aesthetic and Artistic patterns of experience * 8.3.2 Art as Meaning * 8.3.3Developing Lonergan on Art * 8.3.4 Summing up: Lonergan on Art 28. 8.4 Life and Beauty * 8.4.1Ethical living 29. 8.5 Contemplating Beauty 30. 8.6 Loving Beauty 31. 8.7 Beauty and God * 7.1 From Aesthetic Experience to the Beauty of God 32. 8.8 Conclusion 9 Philosophy for a Theology of Beauty * 9.1 Introduction * 9.2 A Summary and Overview * 9.3 Towards a Theology of Beauty * 9.4 Conclusion
Preface Introduction 1 The Eclipse of Beauty and Its Recovery 1. 1.1 Introduction 2. 1.2 The Achievement of Thomistic Metaphysics and its Demise * 1.2.1 A Post-Kantian Transposition of Thomistic Metaphysics 3. 1.3 Considerations for a Contemporary Philosophy of Beauty 4. 1.4 Lonergan’s Philosophy and Hermeneutics: A Brief Overview 5. 1.5 Conclusion 2 Every Being is Beautiful 6. 2.1 Beauty as a Transcendental Property of Being * 2.1.1 The Development of Transcendental Beauty * 2.1.2 Aquinas and Transcendental Beauty? * 2.1.3 The Fourth Period 7. 2.2 Beauty: A Thomistic Interpretation * 2.2.1 The Conditions of Beauty * 2.2.2 Further Questions * 2.2.3 Perception of Beauty * 2.2.4 Beauty and Art 8. 2.3. Beauty: A Lonergan Approach? 3 Violence and the Loss of Beauty 9. 3.1 Displacement and Distortion of Beauty 10. 3.2 Nietzsche’s Aesthetics 11. 3.3 Girard’s critique of Nietzsche * 3.3.1 Dionysus and the Crucified * 3.3.2 Culpability in the Collective Murder * 3.3.3 Dionysus as a Mimicked Distortion of Christ 12. 3.4 A Re-orientation of Nietzchean Aesthetics? 13. 3.5 Conclusion 4 Recovering Beauty in the Subject * 4.1 Introduction * 4.2 Kierkegaard’s Spheres of Existence * 4.3 Balthasar’s Critique: A Closer Examination * 4.4 The Existential Spheres and Intentional Consciousness * 4.5 Conclusion 5 The End of Aesthetic Experience? 14. 5.1 Introduction 15. 5.2 The Loss of Aesthetic Experience * 5.2.1 Major Post-Kantian Approaches to Aesthetic Experience * 5.2.2 Shusterman: "The End of Aesthetic Experience" 16. 5.3 Lonergan and Aesthetic Experience * 5.3.1 The Unrestricted Desire for Beauty * 5.3.2 Freedom from Instrumentality * 5.3.3 Elemental Meaning * 5.3.4 Ulterior Significance and ‘Surplus of Meaning’ * 5.3.5 Transformative and Distortive aspects of Aesthetic Experience * 5.3.6 Lonergan and Shusterman 17. 5.4 The Sensible and Intellectual Perception and Apprehension of Beauty 18. 5.5 Aesthetic Experience and the Sublime * 5.1 Brief History of the Sublime * 5.2 The Sublime as Experienced 19. 5.6 Conclusion 6 The Intelligibility of Beauty * 6.1 Introduction * 6.2 Beauty and Architecture: The example of Christopher Alexander * 6.2.1Alexander’s 15 principles * 6.2.2 Alexander’s principles and Aquinas * 6.3 The Intelligibility of Beauty in Lonergan’s Theory of Consciousness * 6.4 Conclusion 7 Judgments of Beauty 20. 7.1 Introduction 21. 7.2 Aesthetic Judgments in Kant * 7.2.1 Four Moments of Aesthetic Judgments 22. 7.3 Lonergan and Judgment * 7.3.1 ‘Value’ in Method in Theology 23. 7.4 Judging Beauty for Lonergan * 7.4.1 A Lonergan Appropriation of Kant’s Four Moments * 7.4.2 Beauty and the Preferential Scales of Values * 7.4.3 Three Moments of Beauty * 7.4.4 Is Beauty distinct from Goodness? 24. 7.5 Concluding Comments 8 Creating, Contemplating and Loving Beauty 25. 8.1 Introduction 26. 8.2 The Aesthetic/Dramatic Operator 27. 8.3 Philosophy of Art * 8.3.1Aesthetic and Artistic patterns of experience * 8.3.2 Art as Meaning * 8.3.3Developing Lonergan on Art * 8.3.4 Summing up: Lonergan on Art 28. 8.4 Life and Beauty * 8.4.1Ethical living 29. 8.5 Contemplating Beauty 30. 8.6 Loving Beauty 31. 8.7 Beauty and God * 7.1 From Aesthetic Experience to the Beauty of God 32. 8.8 Conclusion 9 Philosophy for a Theology of Beauty * 9.1 Introduction * 9.2 A Summary and Overview * 9.3 Towards a Theology of Beauty * 9.4 Conclusion
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