This book includes twenty-eight innovative chapters by specialists from across the arts, reassessing Lawrence's relationship to aesthetic categories and specific art forms in their historical and critical contexts.
This book includes twenty-eight innovative chapters by specialists from across the arts, reassessing Lawrence's relationship to aesthetic categories and specific art forms in their historical and critical contexts.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Edinburgh Companions to Literature and the Humanities
New College of the Humanities, UK Catherine Brown is Head of English and Senior Lecturer in English Literature at the New College of the Humanities, London. She is the author of The Art of Comparison: How Novels and Critics Compare (2011) articles on Lawrence, George Eliot, Henry James and Tolstoy, and is the co-editor of The Reception of George Eliot in Europe (2016). Susan Reid is the Editor of the Journal of D. H. Lawrence Studies. She is the author of D. H. Lawrence, Music and Modernism (2019) and many essays on Lawrence and other modernist writers, and co-editor of Katherine Mansfield and Literary Modernism (2011) and Katherine Mansfield Studies (2010-12).
Inhaltsangabe
Acknowledgements List of Abbreviations List of Colour Plates, Figures and Musical Examples Introduction, Catherine Brown and Susan Reid PART I: AESTHETICS The Idea of the Aesthetic, Michael Bell Gesamtkunstwerk, Susan Reid Romanticism, Decadence, History, Vincent Sherry National and Racial Aesthetics, Peter Childs Traditional Aesthetics, Julianne Newmark Translation, Stefania Michelucci Biblical Aesthetics, Shirley Bricout Historiography and Life Writing, Andrew Harrison Queer Aesthetics, Hugh Stevens Politics and Art, Howard J. Booth Popular Culture, Gemma Moss Technology, David Trotter PART II: AESTHETIC FORMS SECTION 1: VERBAL ARTS The Idea of the Novel, Keith Cushman Practitioner Criticism: Poetry, Holly A. Laird Revising and Rewriting, Paul Eggert SECTION 2: PERFORMANCE ARTS Performance, John Worthen Drama and the Dramatic, Jeremy Tambling Music, Susan Reid Dance, Susan Jones SECTION 3: VISUAL ARTS Practitioner Criticism: Painting, Jeff Wallace Book Design, Jonathan Long Sculpture, Jane Costin Architecture, Sarah Edwards Clothing and Jewellery, Judith Ruderman PART III: LAWRENCE IN OTHERS' ART Lawrence in Biofiction, Lee M. Jenkins Lawrence set to Music, Bethan Jones Lawrence and Twenty-First-Century Film, Louis K. Greiff D. H. Lawrence: Icon, Catherine Brown Notes on Contributors Index.
Acknowledgements List of Abbreviations List of Colour Plates, Figures and Musical Examples Introduction, Catherine Brown and Susan Reid PART I: AESTHETICS The Idea of the Aesthetic, Michael Bell Gesamtkunstwerk, Susan Reid Romanticism, Decadence, History, Vincent Sherry National and Racial Aesthetics, Peter Childs Traditional Aesthetics, Julianne Newmark Translation, Stefania Michelucci Biblical Aesthetics, Shirley Bricout Historiography and Life Writing, Andrew Harrison Queer Aesthetics, Hugh Stevens Politics and Art, Howard J. Booth Popular Culture, Gemma Moss Technology, David Trotter PART II: AESTHETIC FORMS SECTION 1: VERBAL ARTS The Idea of the Novel, Keith Cushman Practitioner Criticism: Poetry, Holly A. Laird Revising and Rewriting, Paul Eggert SECTION 2: PERFORMANCE ARTS Performance, John Worthen Drama and the Dramatic, Jeremy Tambling Music, Susan Reid Dance, Susan Jones SECTION 3: VISUAL ARTS Practitioner Criticism: Painting, Jeff Wallace Book Design, Jonathan Long Sculpture, Jane Costin Architecture, Sarah Edwards Clothing and Jewellery, Judith Ruderman PART III: LAWRENCE IN OTHERS' ART Lawrence in Biofiction, Lee M. Jenkins Lawrence set to Music, Bethan Jones Lawrence and Twenty-First-Century Film, Louis K. Greiff D. H. Lawrence: Icon, Catherine Brown Notes on Contributors Index.
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