The Edinburgh Companion to Literature and Music

Herausgeber: Da Sousa Correa, Delia

• Gebundenes Buch

Produktbeschreibung

This trailblazing companion charts and extends the work in this expanding interdisciplinary field and is an essential resource for researchers with an interest in literature and other media.

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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Edinburgh Companions to Literature and the Humanities
• Verlag: Edinburgh University Press
• Seitenzahl: 720
• Erscheinungstermin: 8. Juli 2020
• Englisch
• Abmessung: 244mm x 173mm x 36mm
• Gewicht: 1376g
• ISBN-13: 9780748693122
• ISBN-10: 0748693122
• Artikelnr.: 43610957

Autorenporträt

Delia da Sousa Correa is Senior Lecturer in English at the Open University and co-convenor of the OU's Literature and Music Research Group. She studied in New Zealand, London, and Oxford and previously taught at the universities of Oxford and St Petersburg. Her research explores connections between literature and music in the Victorian and early-modernist periods.

Inhaltsangabe

List of Illustrations
List of Tables
Acknowledgements
Introduction, Delia da Sousa Correa
1. Intertextuality, Topic Theory and the Open Text, Michael L. Klein
2. Secrets, Technology and Musical Narrative: Remarks on Method, Lawrence Kramer
3. Derrida, de Man, Barthes and Music as the Soul of Writing, Peter Dayan
Part I: Literature and Music before 1500
Introduction, Ardis Butterfield, Helen Deeming and Elizabeth Eva Leach
4. Music and the Book: The Textualisation of Music and the Musicalisation of Text, Helen Deeming
5. Liturgical Music and Drama, Nils Holger Petersen
6. Intermedial Texts, Maureen Boulton
7. Citation and Quotation, Jennifer Saltzstein
8. Polytextuality, Suzannah Clark and Elizabeth Eva Leach
9. Courtly Subjectivities, Helen J. Swift and Anne Stone
10. Gender: The Art and Hermeneutics of (In)differentiation, Elizabeth Eva Leach and Nicolette Zeeman
Part II: Literature and Music in the Sixteenth and Seventeenth Centuries
Introduction, Ros King
11. Music and the Literature of Science in Seventeenth-Century England, Penelope Gouk
12. The 'Sister' Arts of Music and Poetry in Early Modern England, Helen Wilcox
Metrical Forms and Rhythmic Effects: Music, Poetry and Song
13. The Music of Narrative Poetry: Spenser, Shakespeare, Milton, David Fuller
14. Against 'the Music of Poetry' , Robert Stagg
15. Speaking the Song: Music, Language and Emotion in Shakespeare's Cymbeline, Erin Minear
Performers and Performance
16. Shakespeare's Musicians: Status and Hierarchy, B. J. Sokol
17. Best-Selling Ballads in Seventeenth-Century England, Christopher Marsh
18. Italian Performance Practices in Seventeenth-Century English Song, Elizabeth Kenny
Theatre Music and Opera
19. From Tragicomedy to Opera? John Marston's Antonio and Mellida, Ros King
20. Learning to Lament: Opera and the Gendering of Emotion in Seventeenth-Century Italy, Wendy Heller
21. All-Sung English Opera Experiments in the Seventeenth Century, Andrew Pinnock
Part III: Literature and Music in the Eighteenth Century
Introduction, Suzanne Aspden
22. Thomas Arne and 'Inferior' English Opera, Suzanne Aspen
23. Phaedra and Fausta: Female Transgression and Punishment in Ancient and Early Modern Plays, Reinhard Strohm
24. 'When Farce and when Musick can eke out a Play': Ballad Opera and Theatre's Commerce, Berta Joncus
Oratorio
25. National Aspiration: Samson Agonistes Transformed in Handel's Samson, Ruth Smith
26. Maurice Greene and the English Church Music Tradition, Matthew Gardner
Eighteenth-Century Fiction and Music
27. The Eighteenth-Century English Novel and Music: Virtuous Performers and Well-Mannered Listeners , Christopher Wiley
28. 'Dreadful Insanity': Jane Austen and Musical Performance, Regula Hohl Trillini
29. Music, Passion and Parole in Eighteenth-Century French Philosophy and Fiction, Tili Boon Cuillé
Music, Poetry and Song
30. Shelley's Musical Gifts, Gillen D'Arcy Wood
31. Performative Enactment vs Experiential Embodiment: Goethe Settings by Zelter, Reichardt and Schubert, Marshall Brown
32. The Musical Poetry of the Graveyard, Annette Richards
33. Of Mathematics, Marrow-Bones and Marriage: Eighteenth-Century Convivial Song, Christopher Price
Part IV: Literature and Music in the Nineteenth Century
62. 'High Fidelity', 'Added Value' and the Aesthetics of Sound Technology in Literary Modernism, Sam Halliday
63. Words in Popular Songs, Dai Griffiths
64. Notes on Soundtracked Fiction: The Past as Future, Justin St Clair
Coda 65. Origins and Destinations: A Future for Literature and Music, Michael L. Klein
Notes on Contributors
Editorial Advisory Board
Index.