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First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
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First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 286
- Erscheinungstermin: 2. Dezember 2014
- Englisch
- Abmessung: 216mm x 140mm x 15mm
- Gewicht: 331g
- ISBN-13: 9781138875067
- ISBN-10: 1138875066
- Artikelnr.: 42486003
- Verlag: Taylor & Francis
- Seitenzahl: 286
- Erscheinungstermin: 2. Dezember 2014
- Englisch
- Abmessung: 216mm x 140mm x 15mm
- Gewicht: 331g
- ISBN-13: 9781138875067
- ISBN-10: 1138875066
- Artikelnr.: 42486003
Authored by Schoen, Max
Chapter 1 Introduction, W. V. Bingham; Part 1 Types of Listeners to Music;
Chapter 2 Individual Differences in Listening to Music, Charles S. Myers;
Chapter 3 Types of Listeners. Genetic Considerations, Otto Ortmann; Part 2
The Sources of Musical Enjoyment; Chapter 4 An Experimental Study of the
Nature of Musical Enjoyment, Esther L. Gatewood; Chapter 5 An Experimental
Study of the Nature of Musical Enjoyment (continued), Esther L. Gatewood;
Chapter 6 The Sources and Nature of the Affective Reaction to Instrumental
Music, Margaret Floy Washburn, George L. Dickinson; Part 3 The Mood Effects
of Music; Chapter 7 The Mood Effects of Music, Max Schoen, Esther L.
Gatewood; Chapter 8 Problems Related to the Mood Effects of Music, Max
Schoen, Esther L. Gatewood; Part 4 The Organic Effects of Music; Chapter 9
Effects of Music Upon Electro-Cardiograms and Blood Pressure, Ida H. Hyde;
Part 5 The Effects of Repetition and Familiarity; Chapter 10 The Effect of
Immediate Repetition on the Pleasantness or Unpleasantness of Music,
Margaret Floy Washburn, Margaret S. Child, Theodora Mead Abel; Chapter 11
The Immediate and Long-Time Effects of Classical and Popular Phonograph
Selections, A.R. Gilliland, H. T. Moore; Chapter 12 The Effect on a Musical
Programme of Familiarity and of Sequence of Selections, June E. Downey,
George E. Knapp; Part 6 Effects of Music Besides Auditory and Organic;
Chapter 13 Non-Auditory Effects of Music, Otto Ortmann; Chapter 14 A Study
in the Use of Similes for Describing Music and its Effects, Esther L.
Gatewood;
Chapter 2 Individual Differences in Listening to Music, Charles S. Myers;
Chapter 3 Types of Listeners. Genetic Considerations, Otto Ortmann; Part 2
The Sources of Musical Enjoyment; Chapter 4 An Experimental Study of the
Nature of Musical Enjoyment, Esther L. Gatewood; Chapter 5 An Experimental
Study of the Nature of Musical Enjoyment (continued), Esther L. Gatewood;
Chapter 6 The Sources and Nature of the Affective Reaction to Instrumental
Music, Margaret Floy Washburn, George L. Dickinson; Part 3 The Mood Effects
of Music; Chapter 7 The Mood Effects of Music, Max Schoen, Esther L.
Gatewood; Chapter 8 Problems Related to the Mood Effects of Music, Max
Schoen, Esther L. Gatewood; Part 4 The Organic Effects of Music; Chapter 9
Effects of Music Upon Electro-Cardiograms and Blood Pressure, Ida H. Hyde;
Part 5 The Effects of Repetition and Familiarity; Chapter 10 The Effect of
Immediate Repetition on the Pleasantness or Unpleasantness of Music,
Margaret Floy Washburn, Margaret S. Child, Theodora Mead Abel; Chapter 11
The Immediate and Long-Time Effects of Classical and Popular Phonograph
Selections, A.R. Gilliland, H. T. Moore; Chapter 12 The Effect on a Musical
Programme of Familiarity and of Sequence of Selections, June E. Downey,
George E. Knapp; Part 6 Effects of Music Besides Auditory and Organic;
Chapter 13 Non-Auditory Effects of Music, Otto Ortmann; Chapter 14 A Study
in the Use of Similes for Describing Music and its Effects, Esther L.
Gatewood;
Chapter 1 Introduction, W. V. Bingham; Part 1 Types of Listeners to Music;
Chapter 2 Individual Differences in Listening to Music, Charles S. Myers;
Chapter 3 Types of Listeners. Genetic Considerations, Otto Ortmann; Part 2
The Sources of Musical Enjoyment; Chapter 4 An Experimental Study of the
Nature of Musical Enjoyment, Esther L. Gatewood; Chapter 5 An Experimental
Study of the Nature of Musical Enjoyment (continued), Esther L. Gatewood;
Chapter 6 The Sources and Nature of the Affective Reaction to Instrumental
Music, Margaret Floy Washburn, George L. Dickinson; Part 3 The Mood Effects
of Music; Chapter 7 The Mood Effects of Music, Max Schoen, Esther L.
Gatewood; Chapter 8 Problems Related to the Mood Effects of Music, Max
Schoen, Esther L. Gatewood; Part 4 The Organic Effects of Music; Chapter 9
Effects of Music Upon Electro-Cardiograms and Blood Pressure, Ida H. Hyde;
Part 5 The Effects of Repetition and Familiarity; Chapter 10 The Effect of
Immediate Repetition on the Pleasantness or Unpleasantness of Music,
Margaret Floy Washburn, Margaret S. Child, Theodora Mead Abel; Chapter 11
The Immediate and Long-Time Effects of Classical and Popular Phonograph
Selections, A.R. Gilliland, H. T. Moore; Chapter 12 The Effect on a Musical
Programme of Familiarity and of Sequence of Selections, June E. Downey,
George E. Knapp; Part 6 Effects of Music Besides Auditory and Organic;
Chapter 13 Non-Auditory Effects of Music, Otto Ortmann; Chapter 14 A Study
in the Use of Similes for Describing Music and its Effects, Esther L.
Gatewood;
Chapter 2 Individual Differences in Listening to Music, Charles S. Myers;
Chapter 3 Types of Listeners. Genetic Considerations, Otto Ortmann; Part 2
The Sources of Musical Enjoyment; Chapter 4 An Experimental Study of the
Nature of Musical Enjoyment, Esther L. Gatewood; Chapter 5 An Experimental
Study of the Nature of Musical Enjoyment (continued), Esther L. Gatewood;
Chapter 6 The Sources and Nature of the Affective Reaction to Instrumental
Music, Margaret Floy Washburn, George L. Dickinson; Part 3 The Mood Effects
of Music; Chapter 7 The Mood Effects of Music, Max Schoen, Esther L.
Gatewood; Chapter 8 Problems Related to the Mood Effects of Music, Max
Schoen, Esther L. Gatewood; Part 4 The Organic Effects of Music; Chapter 9
Effects of Music Upon Electro-Cardiograms and Blood Pressure, Ida H. Hyde;
Part 5 The Effects of Repetition and Familiarity; Chapter 10 The Effect of
Immediate Repetition on the Pleasantness or Unpleasantness of Music,
Margaret Floy Washburn, Margaret S. Child, Theodora Mead Abel; Chapter 11
The Immediate and Long-Time Effects of Classical and Popular Phonograph
Selections, A.R. Gilliland, H. T. Moore; Chapter 12 The Effect on a Musical
Programme of Familiarity and of Sequence of Selections, June E. Downey,
George E. Knapp; Part 6 Effects of Music Besides Auditory and Organic;
Chapter 13 Non-Auditory Effects of Music, Otto Ortmann; Chapter 14 A Study
in the Use of Similes for Describing Music and its Effects, Esther L.
Gatewood;