Modern visual satire erupts during a period marked by reform and revolution, by cohering nationalisms and expanding empires, and by the emerging discipline of art history. This title attempts to reconfigure the geography of modern visual satire, from North America to Europe, to China and the Ottoman Empire.
Modern visual satire erupts during a period marked by reform and revolution, by cohering nationalisms and expanding empires, and by the emerging discipline of art history. This title attempts to reconfigure the geography of modern visual satire, from North America to Europe, to China and the Ottoman Empire.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Todd Porterfield is Professor and Canada Research Chair in Art History at the Université de Montréal. He is the author of The Allure of Empire: Art in the Service of French Imperialism, 1798-1836 (1998), and co-author of Staging Empire: Napoleon, Ingres, and David (2006).
Inhaltsangabe
Contents: The efflorescence of caricature, Todd Porterfield Caricature on the edge of empire: George Townshend in Quebec, Dominic Hardy Early modern Dutch emblems and French visual satire: transfers of models across the 18th century, Pierre Wachenheim John Bull, liberty and wit: how England became caricature, Reva Wolf On bended knee: James Gillray's global view of courtly encounter, Douglas Fordham The light of wisdom: magic lanternists as truth-tellers in post-Revolutionary France, Helen Weston The currency of caricature in Revolutionary France, Richard Taws The public and the limits of persuasion in the age of caricature, Mike Goode Signifying shape in pan-European caricature, Robert L. Patten James Gillray, caricaturist and modernist artist avant la lettre, Christina Oberstebrink The Musée de la caricature, Ségolène Le Men Bibliography Index.
Contents: The efflorescence of caricature, Todd Porterfield Caricature on the edge of empire: George Townshend in Quebec, Dominic Hardy Early modern Dutch emblems and French visual satire: transfers of models across the 18th century, Pierre Wachenheim John Bull, liberty and wit: how England became caricature, Reva Wolf On bended knee: James Gillray's global view of courtly encounter, Douglas Fordham The light of wisdom: magic lanternists as truth-tellers in post-Revolutionary France, Helen Weston The currency of caricature in Revolutionary France, Richard Taws The public and the limits of persuasion in the age of caricature, Mike Goode Signifying shape in pan-European caricature, Robert L. Patten James Gillray, caricaturist and modernist artist avant la lettre, Christina Oberstebrink The Musée de la caricature, Ségolène Le Men Bibliography Index.
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