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Searing disputes over caricature have recently sparked flames across the world-the culmination, not the beginning of the story of one of modernity's definitive artistic practices. This essay collection explores caricature's rise, its spread across North America and Europe, and the visual cultures of its production, its political, social, and art historical milieu. It weighs visual satire's vaunted civilizational claims on individual character, artistic supremacy, political liberty, and global domination.

Produktbeschreibung
Searing disputes over caricature have recently sparked flames across the world-the culmination, not the beginning of the story of one of modernity's definitive artistic practices. This essay collection explores caricature's rise, its spread across North America and Europe, and the visual cultures of its production, its political, social, and art historical milieu. It weighs visual satire's vaunted civilizational claims on individual character, artistic supremacy, political liberty, and global domination.
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Autorenporträt
Todd Porterfield is Professor and Canada Research Chair in Art History at the Université de Montréal. He is the author of The Allure of Empire: Art in the Service of French Imperialism, 1798-1836 (1998), and co-author of Staging Empire: Napoleon, Ingres, and David (2006).