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This text documents and examines the considerable repertoire of French cantata. This new edition incorporates research by the author and other scholars that has appeared during the 20 years since the first edition, reflecting today's growing interest in French baroque music.
This study offers a glimpse into the musical and social changes that came about in France at the end of the seventeenth century and the beginning of the eighteenth. The French cantata, which united French and Italian musical styles, was stimulated by these changes and David Tunley's book places its repertoire in the wide context.
This study offers a glimpse into the musical and social changes that came about in France at the end of the seventeenth century and the beginning of the eighteenth. The French cantata, which united French and Italian musical styles, was stimulated by these changes and David Tunley's book places its repertoire in the wide context.