Helps you learn to see photographically, expand your creative and conceptual use of apertures and shutter speeds, and choose the right media to create the look and feel you want. This title includes an introductory chapter with thorough explanations and training exercises in metering and exposure.
Helps you learn to see photographically, expand your creative and conceptual use of apertures and shutter speeds, and choose the right media to create the look and feel you want. This title includes an introductory chapter with thorough explanations and training exercises in metering and exposure.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Angela Faris Belt is a fine art photographer who has worked as a professional educator for fifteen years. Her work has been exhibited nationally and internationally, and she has received several awards and recognition for her fine art work and her work in photography education. She lives with her husband David in the mountains outside of Denver, Colorado, and serves as full-time faculty at The Art Institute of Colorado.
Inhaltsangabe
Chapter 1 Before You Begin Chapter 2 Metering and Exposure Chapter 3 Framing, Borders, and Multiple Frames Part 1: Framing Angie Buckley Sam Wang Michel LeRoy T. John Hughes Part 2: Borders: The Exterior Edges Of The Frame Part 3: Multiple Frames to Create A Single Image Mark Klett and Byron Wolfe Jane Alden Stevens David Hilliard Jason DeMarte Priya Kambli Thomas Kellner Mark Eshbaugh Roddy MacInnes Dan Estabrook Katharine Kreisher Chapter 4 Apertures: Focus, Lenses, and Clarity Cynthia Greig Michelle Bates Chip Simons Polly Chandler Olivo Barbieri Sean Wilkinson Todd Dobbs Virgilio Ferreira Victor Schrager Chapter 5 Shutter Speeds: Time and Motion Chapter 5Part1 Part 1: Shutter Speeds, The Third Photographic Element Adam Jahiel Alexandre Orion Andrew Davidhazy Beth Eggleston Cole Thompson Susan Lirakis Chapter 5Part2 Multiple Moments In Time Carol Golemboski Robin Rhode Jean Miele David Stephenson T. John Hughes Anna Norton Doug Keyes Andrew Grote Kristine Granger Chapter 6 Materials, Processes, and Presentation: The Aggregate Image Chapter6Part1 Going Back to the Beginning Chapter6Part2 How Images Exist in the World Alida Fish Myra Greene Cynthia Greig Cara Lee Wade Michal Macku David T. Hanson Tracy Longley-Cook Frank Hamrick Yamamoto Masao Suzanne E. Szucs Susan Kae Grant David Taylor
Framing and Borders; Using Multiple Frames; Focus, Apertures and Depth of Field; Shutter Speeds: Time and Motion; Image Surface: Tint, Tone and Texture
Chapter 1 Before You Begin Chapter 2 Metering and Exposure Chapter 3 Framing, Borders, and Multiple Frames Part 1: Framing Angie Buckley Sam Wang Michel LeRoy T. John Hughes Part 2: Borders: The Exterior Edges Of The Frame Part 3: Multiple Frames to Create A Single Image Mark Klett and Byron Wolfe Jane Alden Stevens David Hilliard Jason DeMarte Priya Kambli Thomas Kellner Mark Eshbaugh Roddy MacInnes Dan Estabrook Katharine Kreisher Chapter 4 Apertures: Focus, Lenses, and Clarity Cynthia Greig Michelle Bates Chip Simons Polly Chandler Olivo Barbieri Sean Wilkinson Todd Dobbs Virgilio Ferreira Victor Schrager Chapter 5 Shutter Speeds: Time and Motion Chapter 5Part1 Part 1: Shutter Speeds, The Third Photographic Element Adam Jahiel Alexandre Orion Andrew Davidhazy Beth Eggleston Cole Thompson Susan Lirakis Chapter 5Part2 Multiple Moments In Time Carol Golemboski Robin Rhode Jean Miele David Stephenson T. John Hughes Anna Norton Doug Keyes Andrew Grote Kristine Granger Chapter 6 Materials, Processes, and Presentation: The Aggregate Image Chapter6Part1 Going Back to the Beginning Chapter6Part2 How Images Exist in the World Alida Fish Myra Greene Cynthia Greig Cara Lee Wade Michal Macku David T. Hanson Tracy Longley-Cook Frank Hamrick Yamamoto Masao Suzanne E. Szucs Susan Kae Grant David Taylor
Framing and Borders; Using Multiple Frames; Focus, Apertures and Depth of Field; Shutter Speeds: Time and Motion; Image Surface: Tint, Tone and Texture
Rezensionen
"The kinds of topics that are addressed in this book are happening in a highly animated way among photography educators. The idea of visual literacy--photographers needing both technical and conceptual skills, being informed about their subject matter through interdisciplinary research, and using all of the tools available to make work--that is a distinctive driving concern for all of us engaged in this education."--Dennie Eagleson Associate Professor of Photography, Antioch College
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