The Emotional Life of Postmodern Film - Duncan, Pansy
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Across a series of radical re-reappraisals of canonical postmodern texts, primarily films, from Fredric Jameson's Postmodernism to David Cronenberg's Crash and Harmony Korine's Gummo, Duncan shows that the same postmodern archive that has proven resistant to strongly subject-based and object-oriented emotions, like anger and sadness, proves all too congenial to the idiosyncratic, borderline emotions, from knowingness, fascination and bewilderment to boredom and euphoria, that the book takes as its critical objects.

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Produktbeschreibung
Across a series of radical re-reappraisals of canonical postmodern texts, primarily films, from Fredric Jameson's Postmodernism to David Cronenberg's Crash and Harmony Korine's Gummo, Duncan shows that the same postmodern archive that has proven resistant to strongly subject-based and object-oriented emotions, like anger and sadness, proves all too congenial to the idiosyncratic, borderline emotions, from knowingness, fascination and bewilderment to boredom and euphoria, that the book takes as its critical objects.
Autorenporträt
Pansy Duncan is Lecturer in the School of English and Media Studies at Massey University, Auckland, New Zealand, where she writes on media affect and aesthetics. Her articles have been published in a range of venues, including PMLA, Cultural Critique, Textual Practice, Screen, and Film Quarterly.