This is the definitive account of the shift in popular music and youth culture that took place in the 1980s. It draws on interviews with DJs, record company bosses, musicians, producers and fans to outline a transition in pop thinking from the obsession with style and packaging to content, socially conscious lyrics and a new authenticity. -- .
This is the definitive account of the shift in popular music and youth culture that took place in the 1980s. It draws on interviews with DJs, record company bosses, musicians, producers and fans to outline a transition in pop thinking from the obsession with style and packaging to content, socially conscious lyrics and a new authenticity. -- .Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Steve Redhead was Professor of Cultural Studies at Flinders University, Australia. He was a founding director of the Manchester Institute of Popular Culture. His numerous publications include Repetitive Beat Generation (2000), We Have Never Been Postmodern (2011) and Trump Studies (2018).
Inhaltsangabe
Memories of the future prologue by Tara Brabazon From my generation to regeneration: a 'post' script 1 Counter cultures: the cultural politics of pop 2 It all comes round again? post subcultural pop 3 Soundtracks from the global hypermarket: post pop politics 4 One nation under a hoof: whatever happened to the new bohemia? 5 Don't go back to rockville: post political pop The absolute non end
Memories of the future prologue by Tara Brabazon From my generation to regeneration: a 'post' script 1 Counter cultures: the cultural politics of pop 2 It all comes round again? post subcultural pop 3 Soundtracks from the global hypermarket: post pop politics 4 One nation under a hoof: whatever happened to the new bohemia? 5 Don't go back to rockville: post political pop The absolute non end
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