The End of the Future - Polsky, Stephanie
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"In The End of the Future, Stephanie Polsky conceives an understanding of the digital through its dynamic intersection with the advent and development of the nation-state, race, colonization, navigational warfare, mercantilism, and capitalism, and the mathematical sciences over the past five centuries, the era during which the world became "modern." The book animates the twenty-first century as an era in which the screen has split off from itself and proliferated onto multiple surfaces, allowing an inverted image of totalitarianism to flash up and be altered to support our present condition of…mehr

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Produktbeschreibung
"In The End of the Future, Stephanie Polsky conceives an understanding of the digital through its dynamic intersection with the advent and development of the nation-state, race, colonization, navigational warfare, mercantilism, and capitalism, and the mathematical sciences over the past five centuries, the era during which the world became "modern." The book animates the twenty-first century as an era in which the screen has split off from itself and proliferated onto multiple surfaces, allowing an inverted image of totalitarianism to flash up and be altered to support our present condition of binary apperception. It progresses through a recognition of atomized political power, whose authority lies in the control not of the means of production, but of information, and in which digital media now serves to legitimize and promote a customized micropolitics of identity management"--
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Autorenporträt
Stephanie Polsky has written on contemporary culture, critical theory, and visual culture in a range of books and academic journals including Walter Benjamin and History, Parallax, Colloquy, /seconds and Jacobin Magazine. As an interdisciplinary writer/academic she is interested in political economy, cultural identity and the revelatory points of intersection held between the two. She has lectured widely in Media and Cultural Studies, Critical Theory and Visual Culture at a number of prestigious UK institutions including Goldsmiths College, Winchester School of Art, University of Greenwich, and Regent's University London. She holds a PhD in the History of Ideas from Goldsmiths College (University of London), an MA in Critical Theory (University of Sussex) and a BA in Critical Theory and Photography (Hampshire College). Her first book Walter Benjamin's Transit: A Destructive Tour of Modernity was published by Academica Press in 2010 and remains widely available.