This work argues that research into the cultural history of music can significantly help our understanding of the evolution of English national identity. It identifies the intellectual, social and political assumptions which surrounded English music in the early part of the 20th century.
This work argues that research into the cultural history of music can significantly help our understanding of the evolution of English national identity. It identifies the intellectual, social and political assumptions which surrounded English music in the early part of the 20th century.
Meirion Hughes is a freelance historian and lives in London. Robert Stradling was Professor of History at the University of Wales, Cardiff
Inhaltsangabe
Part one: The history and politics of the Renaissance 1. Renaissance and Reformation (1840 94) 2. A troubled inheritance (1895 1914) 3. War, post war, pre war, more war (1914 40) Part two: Aspects of cultural formation 4. Being beastly to the Hun 5. Crusading for national music 6. Slaying the false prophets 7. Becoming transfigured
Part one: The history and politics of the Renaissance 1. Renaissance and Reformation (1840 94) 2. A troubled inheritance (1895 1914) 3. War, post war, pre war, more war (1914 40) Part two: Aspects of cultural formation 4. Being beastly to the Hun 5. Crusading for national music 6. Slaying the false prophets 7. Becoming transfigured
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