This book offers a timely examination of cultural encounters between Britain, China, and Japan, past and present. It challenges Edward Said's model of East/West relations and offers a radical reconceptualization of the English Renaissance by suggesting it was not so different from the increasingly Sinocentric world we currently inhabit.
This book offers a timely examination of cultural encounters between Britain, China, and Japan, past and present. It challenges Edward Said's model of East/West relations and offers a radical reconceptualization of the English Renaissance by suggesting it was not so different from the increasingly Sinocentric world we currently inhabit.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments List of Figures Introduction: "What's Past is Prologue" PART ONE: RENAISSANCE ENGLAND Chapter One: Decrypting Dee's Dreams: An Elizabethan Magus and the Search for Cathay Chapter Two: "Dumb Shewes of (Dis)Curtesie": England's First Encounter with China Chapter Three: "Naturalised Japanners": "Samurai William" and the English in Hirado, 1613-1623 PART TWO: THE ASIAN RENAISSANCE Chapter Four: (RE)MADE IN CHINA: Shakespeare in the Twenty-First Century Chapter Five: "Sheikusupia to Nippon": Paradox, Parody and Pastiche Afterword: The Rise of East Asia and the Future of Early Modern Studies Bibliography Index
Acknowledgments List of Figures Introduction: "What's Past is Prologue" PART ONE: RENAISSANCE ENGLAND Chapter One: Decrypting Dee's Dreams: An Elizabethan Magus and the Search for Cathay Chapter Two: "Dumb Shewes of (Dis)Curtesie": England's First Encounter with China Chapter Three: "Naturalised Japanners": "Samurai William" and the English in Hirado, 1613-1623 PART TWO: THE ASIAN RENAISSANCE Chapter Four: (RE)MADE IN CHINA: Shakespeare in the Twenty-First Century Chapter Five: "Sheikusupia to Nippon": Paradox, Parody and Pastiche Afterword: The Rise of East Asia and the Future of Early Modern Studies Bibliography Index
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