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Born in Cambridge, Massachusetts, in 1894, Edward Estlin Cummings rebelled against the prevailing values of his Harvard and Unitarianism-steeped milieu. His relentless search for personal freedom led him to Greenwich Village in early 1917, where he established himself as a Modernist, composing his sui generis poems and abstract paintings. Later that year, he impulsively joined the war, serving in a Red Cross ambulance unit on the Western Front. His free-spirited, combative ways, however, soon got him tagged as a possible enemy of La Patrie, and he was summarily tossed into a French…mehr

Produktbeschreibung
Born in Cambridge, Massachusetts, in 1894, Edward Estlin Cummings rebelled against the prevailing values of his Harvard and Unitarianism-steeped milieu. His relentless search for personal freedom led him to Greenwich Village in early 1917, where he established himself as a Modernist, composing his sui generis poems and abstract paintings. Later that year, he impulsively joined the war, serving in a Red Cross ambulance unit on the Western Front. His free-spirited, combative ways, however, soon got him tagged as a possible enemy of La Patrie, and he was summarily tossed into a French concentration camp at La Ferte-Mace in Normandy. Unexpectedly, under the vilest conditions, Cummings found fulfillment of his ever-elusive quest for freedom. The Enormous Room (1922), the fictional account of his four-month confinement, reads like a Pilgrim's Progress of the spirit, a journey into dispossession, to a place among the most debased and deprived of human creatures. Yet Cummings's hopeful tone reflects the essential paradox of his experience: to lose everything -- all comforts, all possessions, all rights and privileges -- is to become free, and so to be saved. Drawing on the diverse voices of his colorful prisonmates -- Emile the Bum, the Fighting Sheeney, One-Eyed Dah-veed -- Cummings weaves a "crazy-quilt" of language, which makes The Enormous Room one of the most evocative instances of the Modernist spirit and technique, as well as "one of the very best of the war-books" (T. E. Lawrence).
Autorenporträt
Edward Estlin Cummings was born in Cambridge, Massachusetts, in 1894, the son of a Unitarian minister. Educated at Harvard, in 1917 he moved to Greenwich Village in New York City and began to write poetry and paint. In June of that year he went to France as a Red Cross volunteer with the ambulance corps and was soon arrested and imprisoned, though not charged with a crime, in a French concentration camp. That experience inspired his autobiographical novel, The Enormous Room, which was published in 1922. The next year Tulips and Chimneys, the first of his many volumes of poetry, appeared. It is for his typographically creative poetry that he is best known, but Cummings also painted and wrote expressionist verse drama and prose. Until the 1930s, he preferred the lowercase e.e. cummings. He lived in Paris for a few years after World War I, then returned to New York. He died in 1962 in North Conway, New Hampshire. Samuel Hynes is Woodrow Wilson Professor of Literature Emeritus at Princeton University and the author of several major works of literary criticism, including The Auden Generation, Edwardian Occasions, and The Edwardian Turn of Mind. Hynes's wartime experiences as a Marine Corps pilot were the basis for his highly praised memoir, Flights of Passage. The Soldiers' Tale, his book about soldiers' narratives of the two world wars and Vietnam, won a Robert F. Kennedy Award. He is also a fellow of the Royal Society of Literature.