Includes 49 photographic principles for excelling at night and low light photography.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Alan Hess is a commercial photographer based in San Diego, where he lives with his wife and two rescued boxers. Alan has been taking photos for many years and likes to believe that he has made just about every mistake you can with a camera. His goal is to help others avoid making those same mistakes. Alan is currently the house photographer for a large concert and event venue in Southern California where he photographs everything from major musical acts to ice hockey. When he isn't out taking photographs, he spends his time writing books and is an accomplished photography educator and trainer. Alan's images have been published in a variety of places including newspapers, magazines, websites, promotional materials, album artwork, and press releases. His clients include The Associated Press, Fox Television, FX Network, USA Network, Hasbro, Framus Guitars, Gibson, The Dead, Picture Group, Photoshop User Magazine, Steel Pulse, Ziggy Marley, and many more. He is the author of sixteen photography and technology books covering everything from night and low-light photography to multiple-shot techniques. His books are sold around the world and have been translated into languages including Chinese, French, Polish, Japanese, Thai, and Italian. You can find Alan at www.alanhessphotography.com
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Chapter 1: Night and Low-Light Photography Basics 1. Why night and low-light photography is difficult 2. The pros and cons of using long exposures 3. The pros and cons of using wide apertures 4. Using ISO to your advantage 5. Equivalent exposures are important 6. When you can add some light 7. Using Manual exposure mode is the best way to go 8. The built-in light meter lies 9. Focusing in low light 10. Multiple exposures can save your shoot Chapter 2: All the Gear You Will Want and Need 11. Basic camera needs 12. Bulb mode, and why you need it 13. Noise: how noisy is your camera 14. The often ignored self-timer mode 15. The In-camera time-lapse setting 15. Lens choices: what's your favorite focal length? 16. Variable and constant aperture lenses 18. Keep the camera stable 19. Tripods 20. Monopods 21. Mounts, clamps, and other ways to keep the camera stable 22. Why you need a remote, release, and timer 23. Using a cable release 24. Going wireless with a remote 25. Other ways to trigger your camera remotely 26. Why I love Trigger Trap Chapter 3: Capturing Action in Low Light 27. How high can you push the ISO? 28. Freezing the action 39. Using the lowest shutter speed possible 30. Panning for action 31. The easy way to get a proper exposure 32. It's critical to focus on the right thing 33. Creating low-light portraits 34. Using a little fill flash Chapter 4: Capturing a Low-Light scene 35. Using a very slow shutter speed 36. Creating a deep depth of field 37. How to get those starburst street lights 38. Painting with light 39. Photographing the night sky 40. The best light is at sunrise and sunset 41. Photographing the city lights 42. City lights with multiple exposures Chapter 5: Photoshop Post-Processing Techniques for Low-Light Images 43. Do you need noise reduction? 44. Noise-reduction techniques for action 45. Noise-reduction techniques for scenic photos 46 Correcting the tones in your image 47. Adjusting the white balance for better colors 48. Removing dust and scratches 49. Dodge and burn for contrast
Chapter 1: Night and Low-Light Photography Basics 1. Why night and low-light photography is difficult 2. The pros and cons of using long exposures 3. The pros and cons of using wide apertures 4. Using ISO to your advantage 5. Equivalent exposures are important 6. When you can add some light 7. Using Manual exposure mode is the best way to go 8. The built-in light meter lies 9. Focusing in low light 10. Multiple exposures can save your shoot Chapter 2: All the Gear You Will Want and Need 11. Basic camera needs 12. Bulb mode, and why you need it 13. Noise: how noisy is your camera 14. The often ignored self-timer mode 15. The In-camera time-lapse setting 15. Lens choices: what's your favorite focal length? 16. Variable and constant aperture lenses 18. Keep the camera stable 19. Tripods 20. Monopods 21. Mounts, clamps, and other ways to keep the camera stable 22. Why you need a remote, release, and timer 23. Using a cable release 24. Going wireless with a remote 25. Other ways to trigger your camera remotely 26. Why I love Trigger Trap Chapter 3: Capturing Action in Low Light 27. How high can you push the ISO? 28. Freezing the action 39. Using the lowest shutter speed possible 30. Panning for action 31. The easy way to get a proper exposure 32. It's critical to focus on the right thing 33. Creating low-light portraits 34. Using a little fill flash Chapter 4: Capturing a Low-Light scene 35. Using a very slow shutter speed 36. Creating a deep depth of field 37. How to get those starburst street lights 38. Painting with light 39. Photographing the night sky 40. The best light is at sunrise and sunset 41. Photographing the city lights 42. City lights with multiple exposures Chapter 5: Photoshop Post-Processing Techniques for Low-Light Images 43. Do you need noise reduction? 44. Noise-reduction techniques for action 45. Noise-reduction techniques for scenic photos 46 Correcting the tones in your image 47. Adjusting the white balance for better colors 48. Removing dust and scratches 49. Dodge and burn for contrast
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